Showing posts with label Clayvoisie. Show all posts
Showing posts with label Clayvoisie. Show all posts

Monday, February 2, 2009

Poison Clan Appreciation Week, Day 5: Clayvoisie

One of the most common questions I hear about The Poison Clan is, after DeBonaire left, who the heck are all those other guys in Poison Clan? So for the next couple of days, we're going to look at all the members of Poison Clan who aren't JT Money.

First on my list is Clayvoisie. He was featured on several songs on Rufftown Behavior, but is probably best known for doing "Cowards In Compton" (again, see the vid I just did on that joint). He was also featured on "Freestyle Joint," a fresh posse cut I wrote about in yesterday's post.

But in addition to those appearances, he was signed to Luke's Effect Records as a solo artist. The label shut down before they could release his debut album, but fortunately they did at least put out this nice cut. "I.O.U. Nuhthin'" comes in four mixes on this 12", so let's start with the "Original Recipe Mix."

Let's get this out of the way - the song is hype. Pick it up and you won't be disappointed. Clayvoisie is joined by a hypeman calling himself Mr. Perfect and later a chorus of taunting girls who shout, "hey! Hey! Hey! I owe you nothing" to anyone who had their hands out to Clayvoisie. It's a fast paced-beat with a little funk guitar and some great horn stabs. It's upbeat, but definitely a hardcore track, with Clay angrily dissing anyone who's "trying to gain all on my fucking wealth."

The "In Your Face Mix" is similar to the original but has a new, mch more distinct bassline. Mr. Perfect also has some new adlibs (among other things telling us that this is the remix version). Then, on the B-side you've got the "In Your Nasty Face Mix," which is the same as the "In Your Face Mix" but with the vocals redone with added cursewords. Mr. Perfect especially curses up a storm; and there's also an added vocal sample of Ice Cube going, "mother fucker" on the hook. Finally, there's the "In Your Face Instrumental," which is pretty much what you'd expect. It should probably actually have been titled the "In Your Nasty Face Instrumental," though, because this instrumental includes Cube's angry "mother fuckers" on the hooks.

So even though Effect Records wound up shutting down right after this 12" release, this is not quite the only record Clay put out. He came back later with a very interesting indepedent release on a label called Black Power Records - a 12" I already blogged about here.

Sunday, February 1, 2009

Poison Clan Appreciation Week, Day 4: The Good Luke Songs

There's a reason most Luke albums are the stuff of dollar bins and rarely even find their way online. They're bloated and about 50% skit. And Luke doesn't even pretend to be a rapper and adopt a rudimentary flow - ever - he just talks on half his songs and does hooks only on the rest. I mean, he's had some short-term successful singles with his shout and call songs, with good reason: he had some great in-house producers (even his biggest detractors can't really front on the instrumental to "Breakdown"). But I could still sleep peacefully at night if all of those songs were wiped from existence tomorrow.

But, there's one reason to own them all: The Poison Clan!

All of his albums before Luke Records self destructed (post label destruction his albums changed and aren't really relevant to the discussion) were worth picking up because, naturally, Luke used his albums to promote his artists (and help deflect the fact that he was putting out rap album after rap album without being able to rap). Each of his albums have some great songs; all featuring The Poison Clan. The rest of the albums you could throw away. So, let's look at all of those now:

From I Got Shit On My Mind:
1) "Fakin' Like Gangstas" - This is essentially a JT solo joint, although Luke adlibs ("I still don't know the fuck nigga that I was shootin' at!") on the hook. It's a solid cut, with JT using a simple flow over a nice beat, speaking out against everyone he thinks is faking being a gangsta. It's the song that made Snoop and Dre turn around and diss Luke on "Dre Day," and would be a solid entry any Poison Clan album.

2) "Pussy Ass Kid and Hoe Ass Play (Payback Is a Mutha Fucker)" - This is great. A raw, hardcore beat with JT and the underrated Bustdown just trading verses dissing the hell out of Kid & Play. The beat switches around and there's some nice scratching on the hook; but Bustdown really steals the show. JT is as dope as ever, too. Luke riffs a bit at the end, but he doesn't really add anything.

3) "Head, Head and More Head" - At first this sounds like just another of Luke's shout and call songs, with him shouting out various dirty phrases to an audience that enthusiastically shouts back over a hype track with an ill guitar lick. But then JT Money and Jiggie Gee get on the track, spitting sexual diss verses at each other. It's a fun battle-of-the-sexes joint, though Luke's parts feel a little protracted.

From In the Nude:
1) "Bad Land Boogie" - I forgot about this when it was new, so it was a really nice surprise when I went back to my old Luke tapes in the 2000's (even more surprising, Luke included this on his greatest hits CD years later). This is a Home Team joint (just in case anybody's joining us late, both Home Team members were down with Poison Clan; Deb Rock was a founding member), and in classic HT tradition takes a well-loved old school beat and adds some deep bass and samples, and the duo take turns kicking ill, bugged verses. This is really the only proper Home Team song besides what's on their album, so fans should definitely snag this - you won't be disappointed!

2) "Cowards In Compton" - I just did a video blog about this yesterday, so refer to that. Suffice to say: it's dope, and the only noteworthy Luke track that he released as a single.

3) "Head, Head and More Head part 2" - This is pretty self-explanatory; Luke clearly wanted to recapture the success of the first one by barely varying from the first one at all. JT and Jiggie are back over the same beat and Luke is doing the same thing over the hook. The only change is that JT and Jiggie have some new verses... but, really, what more do you want? These are definitely the least of the songs I'm highlighting, but they're still fun.

4) "Freestyle Joint" - Now this is what it's all about. JT, Deboinaire, Clayvoisie and Fresh Kid Ice of the 2 Live Crew make a posse cut over a really nice track. Everything about this song is just right, the beat is fresh, the samples are cool and everybody sounds good with their verse... like when Deb gets on the track, his voice sounds perfect. Even Fresh Kid Ice's hardcore boasts ("fuck with Chinaman and ya die!") work when they shouldn't. I don't think you can even be a hip-hop fan and not enjoy a song like this. The two concepts just can't occupy a human brain at the same time.

From Freak for Life 6996:
1) "That's How I Feel" - This is a cool, Mike McCray produced solo joint for JT, with a fresh MC Lyte sample cut up for the hook. Luke adlibs a bit on the breakdown but again, his input is irrelevant; it's just about JT, the beat and the DJ. Good shit.

2) "Represent" - This is sort of like "Freestyle Joint" part 2. The beat is different but still tight... it's rawer (there's even a Big Daddy Kane sample saying "get raw" on the hook) with whining horns, and the MCs on this posse cut get a little more lyrical. There's even a human beatbox on the track! This one features JT, Verb (of The New 2 Live Crew who tried to bring an east coast lyrical vibe to the group), Fresh Kid Ice and Drugz.

3) "Movin' Along" - We end with a nice track but an unkept promise - a Poison Clan reunion track! It's just credited as being PC, but it's JT and Deb as a pair again. It's a slow, smooth cool-out rhythm and features Luke's in-house reggae artist Likkle Wikked (who sounds dope) on the hook, along with a soulful, vintage vocal sample. It's all about hearing each of them ride the groove, with a collection of old school funky guitar samples, including one which is clearly a deliberate call back to the Poison Clan's first album. It's painful to imagine all the nice material we'd've had if Luke Records didn't have financial problems... damn.

So, anyway, that's it. After that, Luke lost all his good acts and his subsequent guest stars were all lame or outside his camp (a la his stuff with Doug E Fresh and Biggie). It's probably hard to justify picking up crap albums for an average of three good songs; but considering how cheap you can get them now, it's like buying three sweet singles of just the tight songs (and, like I said, at least the rest has some good production). So to me it's worth it: classic Poison Clan material.

Sunday, May 18, 2008

Black Power In Miami

Oooh. Just discovered this one (thank you, Al Gore, for inventing the Internet). Clayvoisie (sometimes spelled "Clayvoise") was an upcoming artist on Luke Records. He did a couple appearances on Luke & the Poison Clan's albums... You'll probably remember him mainly for rapping alongside JT Money on Luke's infamous Dre diss "Cowards In Compton:" "You can fool a groupie, but you can't fool a gangsta."

Well, Effect Records (a subsidiary of Luke Records) got as far as putting out one single in 1992 ("I.O.U. Nuthin'"), and then dropped him. To be fair, that was probably as much to do with their financial problems as anything against putting out his music... Effect Records closed up shop in '92. In fact, "I.O.U. Nuthin'" may've been their last release.

But Clayvoisie apparently didn't give up that easily. He came out with this independent release on Black Power Entertainment. I don't know exactly what year this came out, since there's no date on the label and I missed it when it first dropped, but I'd assume it couldn't be too long after stint on Effect... so I'd say '93 or '94 is a safe guess.

It's three tracks deep (with instrumentals for all on the flip): "What I Feel," "Voodoo" and "City Boy Funk" with an uncredited guest MC (it just says "Featuring Special Guest" on the label). There are no production credits either, so I've no idea who did any of the music. As far as I know, this is also the first and only release on the label (the catalog number in the run-out grovve, BP-001) suggests that, too.

"What I Feel" has a distinct g-funk influence in the instrumental, but still rough... Clay sounds a little different, but still hardcore and angry, just like we like 'im. :) The hook's a little corny, but passable. There's an R&B singer doing back-up vocals, but she doesn't detract.

"Voodoo" uses some of the same formula as the first track, with the g-funk elements; but the instrumental's a little rawer. The song is literally about voodoo in the inner city, which is pretty damn interesting ("somebody nailed a damn cow tongue to my door!"). He uses the obvious Brother J sample, "voo-doo... runnin' from my madness," but slowed way down.

"City Boy Funk" has Clay doing the classic Miami thing... fast sex raps ("ride this dick, ho!") over a super fast beat, scratching, and a hyper, shouted chorus. But it's not like a lot of the Miami bass style junk that might first pop into your head... I mean, yeah, there are themes in common of course, but you'll be genuinely impressed hearing Clayvoisie keep up with a bpm this high. Where a lot of groups would give up and just do shout and calls over a track like this, Clay keeps busting verses.

It's a great thing that I can still unearth lost music from artists I was digging fifteen years ago. Clayvoisie on Black Power Entertainment... who knew?