Showing posts with label Grand Invincible. Show all posts
Showing posts with label Grand Invincible. Show all posts

Sunday, June 26, 2022

The Living Legacy of Sacred Hoop

(Updating you guys on this saga has become a sort of tradition here at Werner's. But there's something extra special at the end of this year's video. Youtube version is here.)

Friday, September 23, 2016

Grand Killas From the Bay

(The march of new music continues on with a couple new releases by some of of the Bay Area's illest.  Youtube version is here.)

Thursday, November 26, 2015

Celebrate Today With a Sick New Album

Hey, it's Thanksgiving. So okay, what's to be thankful for? How about a hot new album that just dropped? It's the return of Grand Invincible, with their third full-length album (or fourth if you count their EP, Winter 365*), Menace Mode. They put out a single not too long ago... well, actually, it's been over a year. But anyway, the songs on there aren't on this album; those are exclusive tracks to that cassingle and everything on this tape is brand new, too. Yeah, this one's on tape, too. Although of course there's a digital-only version for all you herbs and bustas out there, too.  ;)

This is a tight album. It's full-length, twelve cuts, though one or two are short little instrumental joints. There's no guest MCs on here, just a pair of guest DJs - Eddie Def and DJ Sniper - to add some extra scratching. Of course Eons does plenty of his own cutting as well. So there's a lot of hip-hop purism on hand, strong breaks. But then you've got Luke Sick bringing his grisly, raw blue-collar side to the equation, giving it a dark, moody feel. With one or two little adjustments, this could work as the soundtrack to the first season of True Detective.

It starts out with an instrumental introduction called "Codenames Pt. II" ("Pt. I" was on Ask the Dust), but really takes off with "Jackson Pollock," taking its title from a grim reference in the Miami Vice movie (which they include at the end of the song just in case you've never seen it). Luke flips back and forth from traditional hip-hop bragging about his breaks to "scum storytella" mode, spitting bars like:

"I'm paranoid in the crib
Surveillance cams and a pile of coke
She hate me I bug her
But she's used to dudes tryin' to drug her

I smell a fake fuck then fool get checked quick
Then I snatch his bags out the Luxor
On the roof for the bird to swoop

They throw the rope ladder I grab the loot"

Another stand-out is "Yegg," the one they made their first video for. Two ill piano loops on top of each other, old school bas booms, and a phat scratched hook of "Come Clean" Jeru. "Dust Tour" has a killer horn sample that could make you buy the tape just for that. Really, the whole album is an impressive showcase of how to make an innovative, advanced album through very traditional and basic methods. Heads will love it.

So if you want it, you better move fast. Because it's another super limited tape from Megakut Records. The pricing is great ($10, and that's including the shipping), especially since this is a pretty high quality production. You know, sometimes these ultra-indie tapes are just labeled with a sharpie or something, but this is a good looking, printed black tape, flapped artwork, and it even comes with a very cool lyrics booklet, done in a punk 'zine style (a la Let's Side). And Luke Sick fans should also be keeping our eyes peeled for the next Grand Killa Con EP, which is coming out on vinyl soon from a label called Art of Rec. So, yeah, definitely some good stuff to be thankful for.


*Or fifth if you count Underbucket:P

Tuesday, September 30, 2014

Grand Invincible Sessions On Cassingle?

Okay, I know cassettes are coming back in to vogue as collectors' items. And for an old school guy with a huge cassette collection (and players to play 'em) amassed over a lifetime of youth spent in the 80s and 90s, that's pretty sweet. So we've had brand new cassette releases by everybody from Ghostface Killah to MF Doom to Omniscence. But has anybody in this modern era released a classic cassingle, in the cardboard slip sleeve style before? If it's not a first, it's certainly the first I've copped, and damn if there isn't an extra kick of nostalgia in sliding a brand new cassette out of its tight cardboard wrap. It's like I've just walked out of Record Town, amped about a rare, underground find they only had one copy of.

But a novel release isn't worth the crazy materials it's composed of if the music it holds doesn't move ya. Fortunately, in this case we've got two def cuts from the Grand Invincible sessions. According to the back cover, these tracks (which, to be clear, have never been released to the public before now) were recorded in 2011, though this blog by producer/DJ Eons suggests their roots reach back even further.

"Go Fast Boats" has Luke Sick spitting hard over a booming, "Broken Language"-like bassline. just slightly smoothed out by some extra instrumentation (is that a harp in there?) and a guest verse by Brandon B from Arizona's Supermarket (of Dump Koch fame). The only issue is that it's hard to get a handle on the song, lyrically. Did Luke just say, "the new fanny pack is the Blue Tooth?" What does that even mean? And Brandon B is taking random pop culture shots: "shit ain't funny; you're played out like Paula Poundstone." I don't know. Luke's flow sounds great over the track, though; so it's real dope as long as you don't pay real close attention and ask too many questions.

The B-side totally eclipses it anyway. The production's even better, with a funky, orchestral sample (more harp?) and a super funky "lyrics get dropped like napalm" vocal sample for a hook. Brandon B is credited on this song, too; but this time he's just doing supporting back-up vocals - lyrically, Luke is flying solo, and comes off tighter than on "Boats." It's really one of those rare songs where as soon as it's over you'll want to rewind it back and hear it again, repeatedly.

Like most proper cassingles back in the day, this features both songs on the A-side, and the two instrumentals on the flip. The cassette itself is made out of a cool, scrap metal gray plastic. A little labeling might've been cool, but as I said before, it does come in a cool, double-sided cassingle sleeve. And MegaKut is selling these for only $8, including shipping, so there's really nothing to complain about - that's about what you would've paid for a cassette single back in the 90s, and you'd've been hard pressed to find a release as cool as this.

MK says these are limited to a ridiculously tiny amount of 25 copies, but I suspect that's how many they have to allotted to sell online, not how many were actually made, because most of these are being handed out at Luke's shows. But still, that means if you're a Grand Invincible fan and don't live out in Cali, you'd better jump on this fast, unless you look forward to be coaxing this off some local fan on EBay. And if I can ever bring myself to stop rewinding and replaying it, it'll make me smile again just to stick it in my cassingle box right between Grand Daddy IU's "Don't Stress Me" and Grandmaster Melle Mel and Scorpio's "Mr. Big Stuff."  8)

Thursday, May 3, 2012

Lean Invincible

Grand Invincible are back. And if that cover looks familiar, it should - it's the same image as their last single, "Winter 365." That was the limited single off of this, their just-released and even more limited CD EP, also titled Winter 365. "Even more limited?" Yup, the vinyl was limited to 300 copies, and this EP is limited to just 100 hand-numbered copies (mine's #19). It's not often the CD is more limited than the wax!

But the compelling aspect of this disc isn't its rarity; it's the fact that the vinyl was a 2-song single, and this is a 9-song CD. It includes both songs from the single, so 7 songs are all new. You might say 9 songs is a lot to be labeling this an EP as opposed to an album; but a lot of the songs are pretty short (five, more than half, are under two minutes long), and two of them are just instrumental. But the brevity works in its favor. It's lean, no filler - a tight, compelling listen straight through, which you'll want to start over again as soon as it ends.

A couple guests are on hand here. Besides the posse cut from the 7", there's "Gigantic," a fun duet between Luke and an MC named M.D. who seems determined to steal the spotlight with clever line after clever line. Then you've got "Eric Isley" by... Eric Isley, given a whole song to himself. I'd never heard of him before, but I felt compelled to check him out - here's his myspace - and he's pretty dope.

But the real stars are Grand Invincible themselves. Eons One's production just seems to be getting better and better with each release. And Luke Sick feels very at home over,, his style blending with Eons' production more naturally than ever. Tracks like "Undertaker of Mics" and "Detachable Hood" are at least as good as the two songs we already heard on the single.

Winter 365 comes in a stickered gatefold sleeve and includes some bonus stickers, a fold-out booklet and a "freight outline mini-zine" (uhh... just google "mini-zine"). They're only $8, including shipping, so I'd definitely move to score one while you can.

Tuesday, January 10, 2012

The First Hot Release of 2012

The music world may be going digital - or, really, it may've gone fully digital years ago - but hip-hop hasn't run out of good vinyl projects yet. It's just the beginning of January, and there's already a hot new release. Specifically, Grand Invincible are back with a new single called "Winter 365" on Revelation Records, a long-standing punk label dropping their first venture into the hip-hop genre.

"Winter 365" has a tight, atmospheric groove with some really nice vocal samples cut up into the hook - very Premierish. All in all, it's a perfect landscape for Luke Sick to kick the kind of Bukowski-inspired raps only he can: "Scaredy-cat MCs, they get no dap. Scared to come to the dives, thinkin' they ain't that. I can drink a shot of Jameson and not even flinch. Got a street crowd open so you know its intent. And if you be where I be, then you know it's intense. No tellin' 'bout tomorrow, so we don't make sense. Told a true-ass story, but forgot how it went."

The B-side is a posse cut featuring Agentstriknine, Eddie K, and of course Z-Man. The beat is good, but not as good as the A-side, and the verses are a little all over the place. No one manages to share the spotlight with our host, who steals his own show. That's a little disappointing in Z-Man's case... I hope he isn't mellowing out on us in 2012.

As you can see above, this is pressed on orange vinyl and comes in a pretty great picture cover. It is a 7" rather than a proper 12", but at just $5, you really can't argue about the value. It's limited to 300 copies, and can be ordered directly from the label here.

Sunday, December 28, 2008

Grand Invincible

Grand Invincible is the second coming of Underbucket, the duo of Sacred Hoop's Luke Sick and DJ Eons One. They've just dropped a brand new 12" single of "Purse Thieves" b/w "Elephant Tranq." If you can't make it out on the sticker pictured above, the 12" includes instrumentals of both "Purse Thieves" and "Elephant Tranq," an "Elephant Tranq" acapella, and the bonus track "The Style Is Bonkers."

Luke described the subject matter of "Purse Thieves" on the Gurp City news column, "100% grimey! Back in the early-nineties when San Jose Live was still open in the south bay during the Hump Hut Gang’s forever-broke-never-have-a-job days, my ace boon cracker Oak D and I used to kick girl’s purses underneath the pool tables and then send Ruddy Rudd to crawl under and get ‘em into the bathroom, loot ‘em, and throw ‘em in the trash. We’d also snatch 3/4 full Long Islands off the bar when fools had their backs turned and suck ‘em down quick. We were full on fuckin’ dengenerates and it is kinda with a mixture of embarrassment and pride that I speak of it now (mostly pride though, fuck it I’m a scumbag, y’all know me). Anyway, 'Purse Thieves' kinda turned into an homage to that time in my life with a little modern shit thrown in (the first title for this song, before I wrote the chorus, was: Doing Coke in the Car). And the moral to the story kids?: Being dead broke should never stop you from getting drunk if you are determined and shameless enough. And if you should get caught? Do what we did at the Hut: Deny it to the bitter end. Why? ‘Cause nobody believe dem hoes!'"

And "Elephant Tranq" is just more ill, freestyle rhymes over a fantastic piano break and neck-snapping drums:

"Ya wanna win medals?
Better train hard

Biters take their styles from the tapes in the trainyard
Talk brain hard, droolin' on like retards
Coppin' a lame broad and tell her the game's on
Who's gonna blame y'all?
I ain't the one, Holmes.
The street lights came on
And y'all just run home.
The Year of the Rat,
And that’s twelve whole months of the
hardest G’s alive hidin’ under their comforters.
Leave no witnesses,
Send no condolences;
Didn't have to mention that I'm reppin' the holiest
Patrolin' car pullin' up in Orange
County while they bounty hunt for Vrse like he's foreign
Legion in the evenin', and I'm weavin' through traffic
Dimes hittin' guns strikin' hot like matches
You don't wanna know about the rest of the accidents
Tomorrow ain't promised, so we're gettin' some action."

As the hook says, "if rhymes is dope, then mine's elephant tranq." He sums it all up perfectly with in his singular, interminable style (and I don't think I could name another MC who'd start a verse with these opening words): "I got pussy blood on my white comforter cover; I got money in the bank that you'll never recover. I got more in my pinky than ten copies of you, so when it comes to gettin' sloppy I'm a motherfuckin' fool."

All three 12" songs are also featured on their full-length CD album, Ask the Dust. The liner notes are simple: DJ Eons One: Beats & Cuts, Luke Sick: MC. No guest MCs, no celebrity producers. They describe their style, "Grand Invincible was formed under the philosophy that hip hop as an artform was best served under the technological limitations of the late-80s and early-90s. Armed with only an AKAI MPC 2000, two turntables, a mixer, a microphone, and a diggin' ass record collection with the intention of making the most out of the least (the original hip hop aesthetic), the duo set out in the summer of 2007 to resurrect the grimey breaks and elevate a rare science. Time to put the hoodies and Tim boots back on and spark a White Owl! Long Live the Dust!"

But while Eons does a commendable job keeping this album from sounding typically over-produced, it's not just a collection of sloppy, repetetive loops. It's nothing but hot tracks driven by compellingly layered samples that blends perfectly with Luke's flows. Oh, and Eons sporadically pops in to cut up a perfectly chosen old school record. Underbucket was cool, but this is definitely the better album.

Now, they've already announced their next album, Cold Hand In the Dice Game, will be dropping in 2009. Drop by their myspace and pick up a 12" or CD, or just listen to some tracks on their player. It's some seriously good shit.