Showing posts with label Mr. Voodoo. Show all posts
Showing posts with label Mr. Voodoo. Show all posts

Friday, August 11, 2017

Even More Elusive Mr. Voodoo Demos From Our Heroes At Chopped Herring Records

Two years ago, I wrote about a tight Chopped Herring EP of unreleased Mr. Voodoo demo tracks.  Well, this summer, they're re-releasing New York Straight Talk: The Elusive Demos on CD.  But what's interesting about it is that the track-listing's different.  And I don't just mean that the songs are in a different order, although that's a little true, too.  But the original vinyl EP was seven tracks long, and this one's nine.  So, two new bonus tracks?  No, three in fact, because one song has been taken off.  And all three of these new tracks are previously unreleased; they didn't just throw "Come Off Hard" on here to fill up space or something.

So the track that isn't here is "Betta Duck," which kind of makes sense, since it was labeled as a "bonus track" on the 2015 version.  It was still dope, but far from the best song on there and was newer than all the vintage '94-'95 era stuff that comprised the rest of the EP.  And this way I guess vinyl heads don't feel burned, because their original EP still has something exclusive.  But, really the big question is what's new on the 2017 version?

1. Live It Up (Original Version) - This one's interesting, because "Live It Up" was a Natural Elements song from their stint on Tommy Boy; it was even on the Black Mask soundtrack.  But this one here is a Mr. Voo solo track, and he doesn't even kick his bars from the Tommy Boy version (or "Live It Up Part 2").  But this does have a rough, solo version of the same chorus, so I guess this is where they took the concept from.  It has a much slower, calmer feel, with Voo basically rhyming over the instrumental to Red Hot Lover Tone's "#1 Player," with some deeper bass.  On the one hand, it's definitely not as dynamic as the Tommy Boy version, but on the other hand, it's basically an all new song, not just like a demo version with a different drum track or something.

2. Unknown Demo - Yup, I don't know what this is either.  It sounds more like 2000's material than 90's material, though.  I guess "Betta Duck" and all three of these new tracks are essentially more modern bonus tracks, as opposed to their classic era material.  It's a kind of basic but respectable, slower NY street beat kind of track, and Mr. Voodoo comes off well like he always does, with some nice rhymes and a pointed Special Ed reference; but he doesn't use the sick, staccato flow his fans love him for.  The hook is just an extra instrumental sample, so it doesn't give you much to even guess at a title.

3. Let the World Know (Demo Version) - Now, this is one of those Mr. Voodoo demos we've all been waiting for.  "Let the World Know," of course, is the title track of his 2004 EP, and it's okay.  But there's always been a rough sounding (presumably a radio rip) of a tighter original version over Nas's "On the Real" beat.  And this is it.  Longer and in restored sound quality, finally sounding like a proper song.  Why is it longer?  Well, comparing them now, it's obvious the leaked version was clumsily chopping out the hook and other little sections (maybe for one of those old NE mixtapes?).  Uncut, the Chopped Herring version restores about two minutes.  So that's great to finally get, and the most exciting of the three.  It sounds a little slow, though?  I pitched it up a little bit, and it sounded better to my eat, but maybe I'm just forcing it to match the pitch of those old demo rips that could well have been wrong to begin with.  Either way though, I recommend experimenting with speeding it up and see what you think.

Update 8/13/17: Thanks to KayeMPee for pointing this out in the comments! There's another nice bonus to this CD: the track "Pen Hits the Paper," which is on both the vinyl and CD, is a little longer and restored on the CD.  On the old rips that we've had for ages, it's a three verse song (the last verse starts, "when my pen hits the paper, MCs disappear into vapor..."), but every version I've ever cut stops abruptly at the last word, before the hook can start again, cut off.  And I guess the source material CH had to work with had the same problem, so they faded out after the second verse like that was the end of the song.  Well, this CD version restores that last verse, but still fades out around where the other rips "break."  The sound quality is immensely improved (on both the vinyl and CD), so they're obviously working with a much better source than those rips, but that source must be damaged, too.  To be clear, this CD ends awkwardly, too, cutting off the very end of the song... but still restoring the third verse missing from the vinyl.  So it's not perfect, but it's a big improvement.

So yes, this CD is definitely good news.  And now you know, even if you bought the 2015 record, don't think there's no reason to scoop this up, too.  We just got three more lost demo tracks restored, which is also a nice sign that the well still isn't dry and there's still hope for more material, that we both have and haven't heard of before, coming to light.  Right on.  Every time Chopped Herring recovers another lost Natural Elements track, an angel gets its wings.

Friday, July 3, 2015

Blowing the Dust Off Mr. Voodoo's Long-Lost Demos

Woohoo! Chopped Herring is back with their, umm... fourth?  Wait, let me count. One, two, three and now four. Yup, their fourth Natural Elements EP release! This time around, though, it's focused on just one member. They've uncovered, cleaned up and pressed Mr. Voodoo's 1994-1995 demos on wax.

Now, any NE fans how've been in this for the long haul probably thought to themselves, well, I'm familiar with some great, unreleased Mr. Voodoo demo songs - are these them? And the answer is yep, pretty much!  =)  As the emoticon there suggests, though, that's a very good thing. This is some seriously long-awaited material that's been floating around the tape trading fringes for a long time. Most of these songs are online in terrible, low quality and have been for years. And I mean really low quality, where the hiss is actually louder than the song itself, the kind of Xth generation dub of a radio broadcast of a cheap cassette that literally hurts you to listen to it, but you did anyway, because Mr. Voo was blowing your mind as a lyricist.

So do we want to get into this song by individual song? Well, I don't know if we really need to get into every tiny little detail of - are you kidding? Of course we're going to break this down song by song! Let's go!

"New York Straight Talk" - I don't really remember this one, but it has been around in those junky rips. The track has a really cool, interesting sound that's a little richer and more musically layered than you'd expect from an old Voodoo track, and a nice EPMD vocal sample for a hook. It's a great foundation for a calmer, more introspective flow than we're used to from this man. The drums are pure traditional NE-style, though; and the old sleigh bells are in full effect.

"G.L.O.C.K." - This is the one I really remember. This is the one, when I first heard Chopped Herring was releasing Mr. Voodoo's demos, I immediately checked if this was on there. Spoilers: it is. He kicks a tight "Lyrical Tactics"-style flow over a dark, grumbling bassline. There's a g-funk inspired whistle sound over the hook; but otherwise this is very gritty NY-style that couldn't be further from Warren G or those kinda guys. Heavy sleigh bells again, too. Ha ha

"Runnin From My Magic" - This is the obvious chorus, sampled from the classic Brother J vocal sample you know nobody named Voodoo could resist using. I definitely remember this one, too, and I'm really happy to see it restored here. It's got an almost eerie, ominous vibe, not even any sleigh bells.

"New York Straight Talk (Remix)" - An alternate version of the A-side opener, also produced by Charlemagne. This is a more smoothed out version, with very early 90s vibes that a ton of artists were using for a very brief period of time. I prefer the original, but this is a nice alternative, and 90s heads will probably get an extra nostalgic kick from the sample selection.

"Pen Hits the Paper" - Yeah, I remember this one, too. It's got the slightly jazzy vibes of the last track, but couples it with a more boom bap sound and Voodoo just spitting freestyle rhymes. Listening to this pressing for the first time, I just thought yeah, this is exactly what us fans are here for. This EP is 100% delivering. ...Or maybe 90% in this case, because this version is only two verses long, and past versions have had three. But 90 is still great!

"I Come With Skills" - This is the only one not produced by Charlemagne. DJ LDR provides a good backing for Voodoo, too; but it does stand out from the rest, lacking that signature NE sound the rest of this EP has; so it's good that they saved it for the end. Last but not left off, because it's still a dope Wu or "Tried By 12" inspired track with Mr Voodoo killing it.

"Betta Duck" - Okay, technically THIS is last; and it's back to Charlemagne production again. But this is labeled as a bonus track, and that's because it's not a '94-'95 demo track like everything else on here. It's a 2001 recording, and isn't as good as the rest; but it's still a nice little cut with some cool scratching on the chorus.

Like all the previous EPs, this record is limited to 350 copies. 75 copies were pressed on white (white) vinyl, 75 on gold, and the remaining 250 on standard black. They all come in the sticker cover, pictured above, and sound great. I mean, there is a little bit of a limited range, muffled feel to the audio which suggests these tracks were taken from a cassette. I noticed it most on "G.L.O.C.K." It's not a perfect, crystal high fidelity sound, but it's clearly been mastered to sound the best it possibly can and is a huuuuge, huge, huge improvement on the terrible recordings we've heard before. We're talking about the difference between a little imperfect vs. awful; fans will be very pleased with this vinyl.

Now this EP doesn't represent ALL of Mr. Voodoo's vintage demos. I've heard stuff like "Magic," an alternate version of "Hemlock" with different lyrics, and "Chryme Life" comes to mind. [Oh, and if you're thinking, waitaminute, didn't he release that in 2000, Werner? That's right, but there's an older demo version that's even better.] And there's like a whole unofficial Mr. Voodoo album that's been floating around that's a little bit newer (end of the 90s, early 2000s) that never got an official release. One thing I've learned about following these guys is they recorded an incredible amount of killer material, even though they didn't release so much back in the days. So Chopped Herring's work isn't done; there's still more for them to track down, polish off and get out into the world. And I'm here rooting for them to pull it off. But this was just a great big step forward, that's for sure.