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Showing posts with label Mad Skillz. Show all posts
Showing posts with label Mad Skillz. Show all posts
Thursday, December 31, 2015
Tuesday, December 31, 2013
Saturday, December 29, 2012
Tuesday, October 5, 2010
Mad Skillz and Ras Kass: Together Again for the Very First Time

Well, Madd Game was actually an upcoming Virginia label that had put out a 12" or two before of their own artists. You've probably not heard of any of the artists or labels outside of VA, though Bedroom Wizard, a producer who made a name for himself thanks to some projects with The Supafriendz when they were getting big, was involved with at least one of their early singles. Well, anyway, I guess the label decided to grab some attention for itself, put their own artists aside, and hire some big guns for this 12" release.
So, how is it? Well, they didn't quite manage to grab these guys when they were in their prime, but they got close. So, lyrically, it won't blow any minds, but it's pretty decent. Sometimes it feels like some slick wordplay with a thoughtful hook ("only two ways out the streets, up or down, look around. Either six figures or six feet under the ground") and sometimes it feels too cloyingly jokey, forcing in bad Monica Lewinsky jokes like a hacky Jay Leno routine.
The production is handled by Trackula, who was Madd Game's in-house producer. It's not bad, but nothing special either. A keyboard loop over a typical drum track and some understated bass. It'll get your head nodding, but the emphasis is clearly meant to be on the MCs' lines rather than the beat - nobody's gonna pick this up 'cause they need to have the instrumental.
It is on here, though. You get Street, Radio, Instrumental and Acapella versions of "Six Figures;" so they do it up right. What's more, you get a B-side.
"In the Game" is a posse cut, again featuring Mad Skillz. It also features $K-Mo$, Josef X-Plosiv and Mic Source, most of whom I've ever heard of, before or since. Actually, I think I heard Skillz say "Josef X-Plosiv" on another song, but I thought it was a joke name, like when he told Method Man, "if you're Johnny Hot, then I'm James Flames." But I guess there really is such a guy. ...I suppose these are just local VA MCs, but I think only one of them ($K-Mo$) was actually on MaddGame's roster.
Anyway, this song's pretty on-par with the A-side. The beat - again by Trackula - is a little nicer, and the posse cut vibe is more energetic. This one lacks the star-power of Ras Kass, but after multiple spins, I think you'll come to prefer this side. It comes in just Street and Radio versions.
So yeah, nothing amazing; but it's a pretty cool little single if you can find it for cheap (and you probably can). It's got a nice, underground vibe compared to the crass, pop efforts both Skillz and Ras later stooped to. They also shout-out the label's website (I checked - it's no longer active) constantly on both songs. It's almost like you're listening to a song on a mixtape, with the DJ shouting his name all over it. Anyway, I recommend this so long as you go in with tempered expectations. Surprisingly, this is the only time Skillz and Ras did a song together until Ras's just recently released A.D.I.D.A.S. album.
Sunday, August 16, 2009
The 10 Rap Commandments

That's worth noting because for "The Ten Rap Commandments," Skillz completely jacks Premiere's instrumental, including the scratching etc. He's literally just rapping over the instrumental version. That's why they probably label this specifically as a "Freestyle" on the label... Rawkus' way of asking Bad Boy, "please, don't sue us."
So the concept is pretty obvious from the title, right? Skills changes Biggie's ten commandments about dealing crack and turns it into a ten point manifesto on the rap game. But i thought it'd be fun to see how Skills' ten differ from The Showboys'. How far did the hip-hop scene come between 1985 and 2002? How would the ten most important rules for an MC have changed? Well, again, Skills has a whole (albeit short) song to break it down, so I'll paraphrase:
1) Don't trust your A&R
2) Don't play rough mixes of your songs for your label
3) Don't trust anybody who makes you promises
4) "I know you heard this before: do what your label say. They the pimp; you the whore."
5) Stay true to where you're from
6) Charge everything you can to your label
7) Pay your taxes
8) Don't trust your label mates
9) "You don't work at your label, so don't go there a lot."
10) Keep your publishing
...Now it's debatable how much of this can be attributed to a change in the times, and how much would simply come from personality differences between Skills and The Showboys when they wrote their songs. But it's interesting how much more cynical and business-oriented this new list is compared to the old one. Have rappers gotten more mercenary? Or have they become simply more jaded and aware of the shady side of the music industry? The answer is probably the age-old, "a little bit from Column A..."
So, there's nothing to this pseudo-white label (it looks like a white label; but Rawkus still puts their brand on it and catalogs it) besides the one version of the one song. Side B is exactly the same as side A. Of course, it would've taken some kind of lawsuit-tempting nerve to include the instrumental mix here... If you want that, just get the "Who Shot Ya?" or "Kick In the Door" 12"'s. Maybe you can make up your own "Ten ______ Commandments" rap. ;)
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