Monday, July 19, 2021

Biz Week, Day 2: Biz North Of the Border

Here's one I bet very few of you guys checked for: Len's third album features not one but two appearances by Biz Markie.  Who?  Len is a Canadian alternative rock band, essentially a brother and sister duo whose first video was this.  That's the sum of the research I'm willing to put into these guys, because I don't care a lick for that type of music.  I first heard of them when everybody else first heard of them, as they're largely known as a one-hit wonder for the song "Steal My Sunshine" that blew up from the soundtrack of 1999's Go.  I don't care about that crap either (though it is kinda catchy thanks to a big disco sample at its core), but it got them signed to Columbia, where they took their newfound celebrity and major label budget to delve into Hip-Hop.

DJ Moves, who's been the DJ for Josh Martinez, Tachichi, Knowself and like a dozen other noteworthy Canadian Hip-Hop artists, joined the group and they released their third album, You Can't Stop the Bum Rush.  Now Len is working with all sorts of credible Hip-Hop guys like Mr. Dibbs, Moka Only and Kurtis flippin' BlowThe lead singer changed his moniker to D-Rock and started rapping (sometimes)Edit: slight correction here, thanks to GitMunny on Twitter.  The lead singer took on the alias Burger Pimp, and D-Rock is an MC from Hip Club Groove, another crew Moves was a part of.  Buck 65 was their tour DJ and was asked to officially join the group.  He declined, but he's still depicted on this album cover (that's him lurking behind the lamp post) and does some cuts on the album, which is what drew me to the project.  I wasn't expecting all this other rap stuff to be on it, including not one, but two songs with The Diabolical himself.

The first is a fun, semi-instrumental tribute to classic Electro-Hop, and alternates between Biz doing the human beat box and Mr. Dibbs.  For vocals, it mostly just has very old school vocoder raps about Biz's history with The Juice Crew.  The girl sings a little on the hook, too; but it all sounds fresh with no hints of Len's early 90s alt rock origins.  Usually a problem with a song where an artist you like collaborates with one you don't is that you wind up with a song meshing good and bad qualities together, which still spoils the whole thing.  You know, you might try to appreciate a dope verse, but how often are you realistically going to revisit a song where you hate a good portion of it?  This song doesn't have that problem, it's genuinely good stuff through and through.

Then the next track is "Beautiful Day," a more 90's style Hip-Hop track with some really funky production.  I want to give all the credit to Moves, but from reading the notes and all, I don't know.  The actual Len guys might have some genuine talent for this stuff, too.  Either way, it's surprisingly funky.  D-Rock takes the first verse and it's nothing amazing, but he comes off well enough.  Then Biz sings the hook in his distinct "Just a Friend" way.  But the song really picks up in the second half, which is 100% classic Biz:

"Party people in the place, I'd like to tell you a tale
About a high powered girl, her name is Gail.
She's a funky fresh girly; she ain't stale.
Every time I see her she makes me hard as a nail.
I was chillin' at my house drinkin' ginger ale
Watchin' Monty Python and the Holy Grail
When I got a phone call, it never fails.
It came all the way from a college called Yale.
I said, 'hello, pretty mamma. What's up, female?
Let's go on a cruise, or go on a sail;
But at first let me call my man named Dale.'
I called him, but he was in jail.
We both went down and paid his bail.
It came back three weeks in the mail.
But one thing, I forgot this last detail:
That the Biz Markie will always prevail!"

Len's follow-up single was a throwback posse cut called "Cryptik Souls Crew" that's also better than it has any right to be, but that was the end of their time on Columbia.  Dreamworks almost picked them up for one album, 2002's We Be Who We Be, which was never actually released.  But promo copies exist, and the Biz appears on that album, too!  It eventually got placed on a later album called Diary Of the Madmen.  The song's called "Let It Slide," and it's a singing duet with the sister half of the duo.  It's also awful, so don't worry about tracking this one down unless you're a completist.  But there are enough good parts to You Can't Stop the Bum Rush that it is worth picking up cheap.  In fact the whole first half of the album is full of surprisingly slick, head nodding production.  Then the second half turns to rock junk.  But at least they put all the cool, Hip-Hop songs together so you can easily listen to all the guests and turntablism in one sitting without having to constantly ride the dial.

Now, if you need this on vinyl, you'll have to track down a rare, limited picture disc, which is the only option... but I'd advise against that unless, again, you're a hardcore Biz completist.  The good parts of the album still aren't that amazing.  But the market's flooded with CDs, so you can get it pretty cheap.  And it's surprisingly worth it.

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