Symbolic Two

The story of The Symbolic Three doesn't end with "No Show." They returned the next year on a new label, Public Records, with their new single "Extravagant Girls." And once again, they came with the same producer (Arthur Armstrong), DJ (Dr. Shock) and even the same special guest (MC Mikey D - Public Records was also the home of his singles with The LA Posse).

"Extravagant Girls" starts out with Shock and Mike talking about how materialistic girls are. Could the Symbolic Three be any better? No, actually, they're far worse - they're EXTRAVAGANT GIRLS! The concept here is to mock materialistic girls by playfully upping the absurdity level. While materialistic girls want you to buy them a new dress, the Symbolic Three want you to buy them a house and an airplane. Then Mikey D comes back to give the male counterpoint. It's nothing brilliant, but it's fun.

And like their last record, it's the B-side serious heads will probably prefer. "Bite It If You Wanna" is the fairly self-explanatory, harder flip to the more radio-friendly A-side. No Mikey D this time, just a simple beat with plenty of handclaps and constant scratches by Dr. Shock. As the song progresses, a few other, harder samples blend into the track, as well as a super cheesy xylophone-like riff. Apart from that riff, though, it's all dope and makes for a pretty rough track by '86 standards.

If you consider that these girls were putting out records while The Sequence were still together... these were easily some of the hardest girls in the game and definitely deserve more credit than they get. Okay, granted, they had a team of guys writing all their stuff; but we should at least try to distinguish between them and Super Nature.

By the way, before I sign off, I just heard today that Mikey D has a new 7" coming out on King Of the Beats with Craig G. Between that and Heat Seekers, Mikey D seems to hard on the comeback trail this year. Then again, it seems like he never really leaves, just keeps doing interesting projects slightly out of the spotlight, like these Symbolic Three records.

Symbolizing the Show

You'd have to be forgiven if you confused this record: "No Show" by The Symbolic Three, with Super Nature's "The Showstopper" (or "The Show Stoppa (Is Stupid Fresh)" as it was titled on the original 12"). Both are answer records to Doug E. Fresh & MC Ricky D's "The Show" recorded by all-female trios whose names begin with "S" making their debuts in 1985. Super Nature's the group that went on to become Salt-N-Pepa. The Symbolic Three, on the other hand, consisted of Sha Love, Money Love and Lady Lux.

Interestingly, "No Show" was released on the same label as "The Show:" Reality Records. It's also a closer, more faithful parody of "The Show." Where "Show Stoppa" takes elements of "The Show" as a jumping off point to kick their own verses over some crazy beats and synths copied from the big musical number in Revenge Of the Nerds, "No Show" follows "The Show" almost line-for-line, and beat for beat. Of course, they turn it into a diss, though, mocking the hole's in Doug's shoes ("sorry, Dougie, but your shoes are through. Through, through, throu-throu-through!") and Slick Rick "a gay fruit cake."

But when "The Show" would be over, "No Show" continues on with a second half, consisting of solo verses by the girls and Mikey D - yes, the same Mikey D from The LA Posse (the New York one) and Main Source. I think Mikey also does the human beat-boxing on the song. And DJ Dr. Shock provides some nice, sharp cuts.

The 12" also includes a shorter, Edited Verison, which excises this ending and cuts it down to only the half that apes "The Show," fading out during the human beatbox part. And there's a Dub (instrumental) version of the full-length mix on the B-side.

And "No Show" rounds out with a "Tell Off 'Bonus'," where The Three (and Mikey D) use the same drums but drop the rest of the crazy "Show" music to make a short and simple diss song directed at Doug & Rick with all new rhymes. So where "No Show" gets caught up playing all the crazy interludes and doing the singing and funny voices, "Tell Off" is more of a straight-up diss track.

But there's still more. On the B-side is the song, "We're Treacherous." While "No Show" is certainly more novel - both because it's an answer record, and because "The Show" has a lot of inherent novelty value already - "We're Treacherous" is an otherwise better, more straight-forward rap record. Once again, it features Mikey D and Dr. Shock, and everybody just comes hard on it. I mean, that's "hard" by 1985 standards... and that means the beat, too, is full of hand-claps and big, programmed drums that will probably sound pretty corny to contemporary audiences. But if you dig the 80's stuff, you'll definitely appreciate a dope, overlooked girl group showcasing their skills and coming correct.

New Music By Spyder-D, Mikey D, Sparky D, and More?

After dabbling with mp3s, Spyder-D's label Newtroit Records has put out it's first physical release... well, technically since "Big Apple Rappin'" in 1980.  But Spyder's last album was in 2000 on Mecca Records, another label he was affiliated with.  So we'll call it eleven years.

But this isn't a new Spyder-D album, it's a compilation album showcasing the acts on his label, entitled Heat Seekers volume 1.  There's a lot of new names you won't recognize on here, but also several old school legends you most certainly will.  It's not a mixCD; none of the songs are blended together or incomplete, but the album is hosted by DJ Red Alert.  In this case, what that means is that he introduces every song, telling us who it's by - handy, because there are a lot of unknowns in the line-up, and you don't want to have to keep looking back at the back of the CD case every 3 minutes.

It opens with one of the strongest tracks, actually by one of the new artists: "Don't Worry About It" by Bobby Seals a.k.a. Doughnuts.  The production and hook - both also by Seals - are upbeat and catchy.  Seals has a lot of energy and he's even making a good point about celebrity gossip and other junk information we assail ourselves with.  Good shit.

Unfortunately, the whole album doesn't reach that high bar.  There's a lot of songs on here (22), and a lot are just boring.  Also, because it's showcasing everyone on his label, and he has a wide variety of acts, the album is kind of all over the place: straight R&B songs, street rap, pop stuff, songs which feel like they're chasing fads.  "My Crush" feels like the slower sequel to that Rebecca Black video that's all over Youtube, several of the artists here crank the autotune up to 11 and one of the female rappers on here sounds like a Kreayshawn knock-off.

But that's why God made the Skip Forward button, and no one is forcing you to include all these songs when you rip this and upload it to your ipod, so let's just talk about the interesting stuff.

Most of the other unknowns are kinda generic, so we'll skip right to the established old school artists (the whole reason any of will be buying this CD, anyway) right after this one last, interesting guy: Blaclite.  Have you ever had the perverse notion to blend horrorcore with Christian rap just to see what you'd get?  Me either, but this guy has and the results are indeed pretty bugged.  His voice and flow would sound completely natural alongside The Flatlinerz and The Headless Horsemen, and the production (by Blaclite himself) consists of strained, high-pitched organ notes over a break.  His hook is half-sung, half-deranged like ODB, but the lyrics, instead of demons killing you, is about demons being burned by his faith in Jesus.

Okay, now let's get to the artists we know...  there's a song on here by Sparky D called "Holla At Ya Girl."  This one features the girl I mentioned before, who I said sounds like a Kreayshawn knock-off (who also has her own song on here).  So, try to imagine Sparky and Kreayshawn doing a song together.  And since she's an evangelist now, Sparky also gives her lyrics a Christian bent: "to my ladies in stilettos, diamonds and pearls, as we walk through the mall, they be like, 'go on, girl!' My bible make my swagger swerve, quotin' scripture, readin' words. Go and buy a bottle of 'Holla At Your Girls!'"  It's... well, it's interesting.

Spyder's got a pretty cool song on here called "Heads Be Noddin."  Surprisingly, it's the only song produced by Spyder himself.  The go-to producer for the bulk of this album is actually Grand Creator K-Wiz, Sparky's DJ from back in the day.  Very cool to see him still around, but - focus! - this track's by Spyder, and it's cool and dark.  He's got a hook sung by Shady Grady of Parliament Funkadelic.  His lyrics are hard, his voice is that classic deep voice he's always had... I like this one.

But while Spyder sounds as good as ever, unfortunately, Mikey D fits the stereotype of an older MC today... sounding slower and tired.  "Dramacide" is a message song, which is cool in a way (I certainly don't disagree that street violence is bad), but it also seems like a que for a lower energy flow and melodramatic production.  It's okay for Mikey D completists, but everyone else can sleep at night knowing they're not missing out if they don't get this.

Of the R&B songs on here, easily the best is the one by Oran "Juice" Jones (though there's also an acapella song by a group called Kazual that shows some noticeable talent).  It's called "I'm a Pimp," and as Red Alert says, "the song you're about to here is self explanatory."  Fun stuff.

This next song must've been on deck for a while, since he passed in 2008, but there's a cool track by MC Breed and someone named Absolute Truth.  Breed sounds dope as ever.  Truth is a little corny, but at least he's enthusiastic.  Breed fans will like it, although they'd probably have preferred a Breed solo song.

Money B (yes, the Digital Underground one) has a new group out called M.A.S.K. and a song on here called "Is U Down," with a hook by Ne-Yo.  It's cool, and the production is nice, though I'd've preferred more of Money B and less of the other guys.

And that about raps up most of the album...  Trey Songz makes a cameo, and there are a couple other forgettable songs by new artists.  The album ends on a high note, however, with the "Heat Seekers Cipher," where all the rappers on this album - and a couple others who weren't on it, including the original Kidd Creole and somebody who sounds like Snaggapuss - get down on a massive, 8 1/2 minute posse cut.  Creole and Sparky come the strongest.

Ultimately, there's some cool stuff on here, but nothing great.  And even the good material gets drowned out by the mediocre stuff surrounding it.  Most people will pass this one by, and they'll be making the right decision for themselves.  I can really only recommend this CD for someone like me, who's a big enough fan of some of these old school artists that just their contributions make this a must-have.  If that's you, though, you won't be disappointed.  This isn't one of those "old school rapper makes hideously awful comeback attempt that's embarrassing to listen to" situations.  It's a respectable outing.