Showing posts with label Fatboi Sharif. Show all posts
Showing posts with label Fatboi Sharif. Show all posts

Friday, May 21, 2021

Attack Of the Weirdo: Fatboi Sharif

Look what I just got my hands on: the second album by Fatboi Sharif, this time with producer/ partner Roper Williams (who also had a track on Ape Twin).  Well, "second album" in terms of what's made it to actual, physical releases.  If you dig into his bandcamp, he's got several additional digital releases.  But as any regular readers of this blog can tell you: mp3s don't exist.  So by my count this is album #2.

Anyway, this one's titled Gandhi Loves Children, presumably a reference to the unfortunate revelations about the less public-facing side of the beloved icon's life.  It's a line from the album's opening track, "Tragic," which poignantly spells out the many sad ironies of our generations' lives, "Nazi amusement, Columbine shooting, race stunted, depressed, raped woman, T.W.A. Flight 800... Malcolm X' achievements uneven, Nancy Benoit let's have a family meeting, slave plantation for nine days, waiting for Kanye, Paul Walker on the highway!"

Yes, as you can see, the inscrutable listicle song-writing of his last EP is back, which can feel a little frustrating, like thoughts aren't allowed to fully develop and flow into each other as whole ideas.  It's a distinct and not ineffective style, but the parade of non-sequiturs and pop culture references ("cartel crime, Dark Man kind, Attack Of the Jack-O'-Lanterns, RL Stine") can run a little long.  Depending on your state of mind, it can be a pro or a con that sure footing his hardly found in this collection of free-floating, seemingly stream of conscious topics.  Songs seem like they're just loosely connected by themes.  "Nasty Man" is nothing more than a fun excuse to spit some dirty bars ("sex with an obese female makes my mind sick, swallow blood, spit out a quick John Wick, Sounds of Blackness, bible chapters, what the hell, came back as grape Sour Patch Kids, deep in a Volvo, horny, bitch named Bulimia throws up on me"), while "I'm Buggin'" seems to just be an exercise in saying the wildest shit possible ("pedophile brain surgeon, untamed moment, Malcolm X and Jeffery Dahmer's the same person").  "Fly Pelican" makes a terrific-sounding hook out of a classic Cuban Link/ Beatnuts guest spot, but I'm not sure if it has any significance besides sounding cool.  "Murder Them" stands out as a particularly powerful track about violent retribution against police brutality, but nothing else is as focused.

I don't want to make a habit of complimenting one artist by throwing shade at another, but Fatboi is sort of the artist I hoped Bizarre was going to be when he first came out with Attack Of the Weirdos.  He's in that intellectually lyrical Young Zee-mode of assembling complex word schemes you'd never have thought could sound so good together.  He's definitely got the fantastic imagery influence of the Cella Dwellas, too; but he mixes it with a personal earnestness.  In a lot of ways, from the superficial look he's got on the album cover, shirtless with the crazy female wig, to the substantive, with his open wound delivery, he really is in Bizarre's ideal lane: a (more than) slightly demented poet with a dark, twisted sensibility teetering on multiple edges at once.  But where Biz would slip into simple bars, easy punchlines and predictable subject matter that more often than not let down the expectations he'd set up (every topic devolving into random blowjob descriptions and still making Eminem/ Mariah Carey references in the 2020s), Sharif never takes the easy roads.  Instead of feeling like he banged out an entire album in 24 hours, it feels like Sharif spent months slaving over this project and honing each moment.

[In fairness to Bizarre, I have to say that while writing this, I spent the last couple days diving through Bizarre's music videos, as I hadn't really followed his solo work in a long time.  And the stuff he's been doing for the last year or two seems considerably better than what he'd been coasting on for the past 7-10 years.  Some of his new stuff's intriguing and I might wind up back on board as a Biz fan.]


Anyway, like on Ape Twin, Sharif just has a couple of guests: two relatively unknown MCs, YL and Pootie, and somewhat surprisingly, NY underground's L.I.F.E. Long. All three do an equally good job of adding some variety to the project while still fitting in smoothly enough that they never disturb the tone of the album.  Pootie comes the closest, but none of them manage to outshine their host.  Stylistically, I'd say Sharif's mastered the game as far as it can go (though never say never, let's see what he comes up with in the future!), but content-wise, I'd like to see him dig a little deeper into some cohesive subject matter, at least sometimes.  I'd hate to lose the madcap freestyle rhymes!  And he's already making songs to rival the top guys in the industry, so there's really nothing to complain about.

That includes Roper Williams' production, which is perfect.  I mean, first it's just objectively really good.  But it's also an ideal match for Sharif's flow, a rich soundscape that sweeps through a wide range of tones.  There's a killer instrumental short called "Xavenstein" where I'm only sorry that we didn't get to hear an MC ride it.  That's one of two tracks that aren't full songs, though none of them are very long.  The average length is two minutes, which might almost be annoying (ending before you'd like them to) if each song didn't transition so naturally into the next.  And it's not because they're radio blended or otherwise forced into each other mixtape-style.  They've clearly put a lot of care into the sequencing, turning this into a real album and not just a collection of songs that happened to be recorded in the same period.

Gandhi Loves Children is of course downloadable as a digital release via all the usual channels, but it's also available on CD, which comes in a stylish digipack that you can order here, or on cassette, which I believe is only available directly through the artistApe Twin was an exciting debut of a clearly talented young artist, but this is a more fully realized project that belongs in anybody's collection.

Sunday, August 26, 2018

The Secret Meetings of Fatboi Sharif

Fatboi Sharif is an exciting (and I don't throw that term around loosely) new Jersey MC.  I first heard him on Shawn Lov's last album, where I have to confess he really didn't make much of an impression at all on me.  So I almost didn't bother checking out his new online material, but I'm glad I did, because that stuff definitely made an impression.  His style and content feel very influenced by UG, but with a softer, Scott Lark tone to his voice and delivery, and lyrics reminiscent of early Jedi Mind Tricks, back when they were creative and packed with Children of Babylon members.

And this is his debut solo EP, Ape Twin.  It's available on an official, pressed CD through Fatboi's Facebook here.  Of course there's a digital version, too, which is considerably more accessible.  And there's a previous digital album, Age of Extinction with another MC named Sydetrak Imperial.  It's not uninteresting, but Ape Twin is the much more polished and cohesive work, so I'd really recommend just starting there.

It's a tight EP: eight tracks including skits and songs that average two and a half minutes or so.  And there are a couple of guest MCs, neither of whom I've heard of (Light the Emcee and Nick Jackelson), but they do a good job fitting in.  It always sucks when an artist is making something original and a couple of guests phone in completely generic thug verses like they'd given no consideration towards what project they were being asked to contribute to.  Here, everybody's on the same page: "you can hit the bullseye and still not know how to throw your darts right.  Stand tall over all like my name was Bill Cartwright.  I spark light more than the sun, moon and stars might.  Knock you on your feet like the mutant named Arclight.  Vertigo, Avalanche, the tree of life, grab a branch.  Teleportin' Nightcrawler to the Savage Lands.  This the battle plan, load the mutants in the caravan.  A surgical mystic like Dr. Strange with damaged hands."  Consequently, the listening experience is constantly shifting, always crazy film and comic book references and strange visual imagery, so it's the sort of CD you can just let loop indefinitely, a surreal experience.

So does that mean there isn't any substance to anything he's saying?  Well, there's definitely a "what the hell is he talking about" aspect to his work ("the city from Children of the Corn, mistrial, rumors of kiddie porn.  Prisoner escaper, conspiracy on paper, JFK affair with Elizabeth Taylor").  If you're hoping for direct metaphors like mermaids represent one socioeconomic group in conflict with another, a la "Planet E," I'm not sure it ever gets that one-to-one.  And it doesn't help that he has a tendency to slur some key words.  A little more enunciation and a few less pop culture references would be welcome.  But if you roll with it, it's really not so impenetrable.  There are definitely themes of personal growth and transformation that are probably more than just accidental.  Like the Marvel-themed guest verse I quoted above can be more than just a comic book rhyme, but a relatable invocation of talented artists going out to make their way in the world.  You get it.  And the fact that the lyrics are indirect and a little difficult to discern makes repeated relistens rewarding, where the pieces slowly fit together and his meaning becomes each little bit clearer.

Musically, yeah he's a younger artist, but he's not on some mumblecore, sloppy tip.  His production's the sort of light boom-bap you would've expected to find on an indie 90s CD.  That fits, as Shawn Lov produces one track, and one of his regular collaborators, Raiden, does two others.  I can't say this EP's for every head, let alone mainstream audiences.  You've got to be a bit of a backpacker to bask in the lyrics and rhyme schemes; and if you're not going to do that, you won't find enough else to sustain you.  But I hope Sharif finds his audience with this, because the right people aren't just going to "get" Ape Twin, they're going to be surprised how much they enjoy it.  And I definitely look forward to hearing more from him.