Showing posts with label DJ Format. Show all posts
Showing posts with label DJ Format. Show all posts

Tuesday, July 10, 2012

Marisco Fever

Another release from DWG? Didn't I just review four releases from them, like, last week? Well, considering they've been pretty much setting the standard for hip-hop releases in the last couple years (a standard very few labels have managed to live up to, even), I'm happy.

This one's being heralded as their first "new" release... that is to say, a release of brand new music, as opposed to their usual vintage gems. Sure, past releases like the Damu or Sputnik Brown records were contemporary hip-hop; but this is the first time the music's been specifically commissioned by DWG for release on the label.

It's an upbeat, perfect-for-summer party jam by a couple artists who could be said to be DWG regulars There's DJ Format, the DJ for their Lungbutters mixtape, who also produced for one or two of their past releases. And he's partnering up with The Good People, the duo of Saint and Emskee. Emskee, of course, released two records on DWG already, and they've already announced their next record to be a Good People EP.

The song's called "Marisco," named after a London Woolacombe nightclub, and it's a fun, ocean-crossing collaboration between a UK hip-hop producer and US (east coast) MCs. The lyrics are smart without being clever; it's not about flexing skills here; it's just a song about going out for a night of good times. Format kills it, not so much on the turntables this time - there is a bit of cutting, but just barely - but as producer. It's got some cracking drums and a funky bassline, but it really comes alive when the horns come in. Remember when people used to describe a record as being "live?" Not literally, like a concert recording, but just as a way of describing that energy captured in a hip-hop track? Well, this record is live.

Flip it over, and The Good People's own Saint takes a stab at a remix. What's cool about it is that it's totally different, using these funky xylophone kinda riffs to capture a totally different vibe. It's gives the proceedings more of a second era Tribe Called Quest feel. For me the original Format mix still wins, but this is a nice alternative when you've started to play the A-side out a little too much.

You might be inclined to pass on this because you've never heard of Marisco's nightclub and therefore this release doesn't "apply" to you, like "oh, it's a local thing." But hey, how many of us Biz fans have been to Albee Square Mall? Most NWA fans have probably never stepped foot anywhere in the city of Compton. And how many of us Egyptian Lover fans have been to The Alezby Inn? Well, I have; and let me tell you. It's weird... but I like it. Wait. What was I talking about again? Oh yeah, I'm just saying you don't have to have been to a location to feel the song. Yeah, it's a local thing, and the fun is in letting the song take you there. That's how these things become iconic.

So, am I saying it's another essential must-have DWG event release? Well, no, not compared to The Juice Crew EP or something. But it's good; that's what I'm saying. And it works just as well whether you're from the UK or not.

"Marisco" is a 7", but it comes in a really nice picture cover. It also comes with a poster of Marisco's flyer for their 45th anniversary, when Format and The Good People performed (and where this record debuted). It's limited to 500 copies, which is actually a pretty big run; and as you can see in the photo, it's pressed on cool, blue wax.

"Speaking of what we see in the photo," you might now be thinking to yourself, "what's that other record back there?" Well, you're being silly. There is no other other record; this is a single vinyl release. "Yes there is. See that 12" hiding behind all the other stuff on the right-hand side." Alright, you got me. That's the show vinyl. If you don't know what "show vinyl" is, it's the very limited wax that is pressed up specifically for the artists themselves to tour with. A lot of times, artists will have show vinyl pressed up with exclusive instrumental mixes and stuff, just for their own use... as is the case here. This 12" features vocal and instrumental mixes for both versions of the song, and as you can see DWG even made it a sticker cover (the first sticker cover show vinyl ever?). If you were quick, you could order the extra copies of this direct from the DWG site, but it's too late for that now, so it's really just a bit of a collector's item.  But the 7" is still readily available all over, and it'll be a nice companion piece for that Good People EP they're about to drop any minute now.

Sunday, December 21, 2008

Recovered Science

Man, it's hard to believe I haven't done a post about Main Source yet. But if I've gotta be late, it's nice to finally come out of the gate with a hot 7" arriving in the mail of three classic, never before released demo joints from the Breaking Atoms period. Lost Science, as it's titled, is the second limited (500 copies), but reasonably priced release from DWG, following their hot Cadence 7" which came out less than a month before.

So, yeah, these are demo tracks, so the sound quality isn't perfect, especially on the lead track... that's part of the reason the price is easier on the wallet. But it's reasonably cleaned up for demo tape standards - not perfect, brand new Sony album clear, but you won't be complaining.

The A-side, "Bootlegging," is the clear winner for me. Just in terms of song-writing, it's one of Main Source's best songs ever, period. Of course the beat is nice, too... very jazzy, and just keeps getting sweeter as more samples are laid in. Large Professor walks a great line between being comic and straight-up serious as he assumes the identity of a bootlegger, breaking down the situation better than any other of the many songs on the subject:

"I lamp on the corner selling bootleg tapes;
Rappers collect breaks so that I make papes.
I don't give a fuck about Kane or Biz...
Finally, somebody beats The Wiz;
And that somebody is me.
Catch me around three, and I'll be busy as a motherfucking bee.
Call five-0 and let 'em know
I'm selling bootlegged tapes, and they'll say... so?
My brothers in rap
Are gonna have to keep comin' up off the trap;
'Cause I'm a salesman on the street.
You know what to do if you can't stand the heat - can't eat:
Vacate the kitchen with your bitchin'.
I specialize in reproducin' tapes over Wild Pitchin'.
If stupid people buy 'em, I'll continue to supply 'em;
For $4.99, you can't complain about the volume."

It's really tempting to transcribe the whole damn song, but I'll leave you with the first verse. The other two tracks are hot, too. Lyrically, they don't stand out as much (though the short "Raise Up" has a nice, dead serious tone to it), but Large Pro rides his own rhythms expertly, and the grooves sound just as good as anything on their album... they would have fit in perfectly if they'd be included; and you can't ask for much higher praise than that when you consider how Breaking Atoms is regarded as one of the very pinnacles of hip-hop classic albums. For all Large Professor beat fiends, this is 100% top-shelf[link joke!] material.

What's more, this 7" is part of a package deal with their debut mixCD, Lungbutters, mixed by DJ Format (you can also buy just the CD without the record, for a few dollars cheaper; but that would be insane). Format does a nice job with some clean cuts, slick changes between songs, but doesn't go all out in the beat juggling, scratching and generally getting frantic. DWG are definitely out to showcase the tracklisting (with good reason), and Format manages to find a solid balance between doing too little and making the original songs unrecognizable. It's got some nice "you'll never hear this anywhere else" exclusives, selections from current DWG releases, future DWG releases, and some basic tracks that aren't so rare but just fit in to make a solid mix. It's a diverse troupe of artists, too, from MC Shy-D to Godfather Don to The Fifth Platoon(!). There are a few "shout outs" and what-not, but it never gets into that irritating business where they're just screaming their names all over the tracks to watermark them. Phill Most Chill drops by to kick a nice freestyle and announce an upcoming DWG release (woot!); and there are some other surprises here, too (hint: read the liner notes... not that any serious collector ever needs to be told that hehe).

I'd stick around and write a tidy little outro about DWG's upcoming Juice Crew EP (it's gonna be incredible!) and maybe link you to Main Source's official myspace page, but I've gotta go listen to this stuff about twenty more times before I go to bed. ;)