Showing posts with label Tricky Nikki. Show all posts
Showing posts with label Tricky Nikki. Show all posts

Sunday, February 17, 2008

The Return of Tricky Nikki

Following up my recent post on the rare Tricky Nikki/ L'Trimm 12", is this... the follow-up (and final) single from Tricki Nikki. Looking at the title and the year (1990) should probably tell you what this record is - an answer to MC Hammer's "U Can't Touch This."

This is the promo version, by the way. The only difference between the promo version and the retail is that the promo label is black and white and the retail comes in the Time-X's standard orange on yellow.

The beat for this song uses the same "Superfreak" sample as the Hammer joint, of course, but it cuts the bassline a little bit differently, and doesn't use the male chorus vocal sample ("oh ohh-oh"). It adds some new elements, though, from a Rick James vocal sample ("Super freaky!") to, most notably, a great sax solo!

Tricky Nikki has essentially the same voice, flow and attitude as her previous single, though she sounds (slightly) less like Tigra or Bunny D. Nikki's got the right spirit for this upbeat answer record... she's not dissing Hammer, just playfully teasing him ("Stop! ....Tricky rhyme.") and constantly pointing out that it's summer break between verses. She even gets lyric specific with her variation, with Hammer's fast-rap take on his own name towards the end of the song goes from this:

"I'm known around the world,
From London to LA.
It's Hammer,
Go Hammer,
MC Hammer,
Yo Hammer,
...And the rest can go and play."


to this:

"I'm one fly girl,
And I mean what I say.
I'm tricky, yeah,
Tricky Nikki,
Nikki Tricky,
...Now let my record play."


If you pick up the CD single instead of the 12"...


(Despite what it says on the cover there, I really doubt this CD plays at 45 rpm.)
...you get a unique b-side song, "Jammed In the USA" by Girls With Attitudes. Time-X also released this as a separate single on vinyl. It's an answer to The 2 Live Crew's "Banned In the USA," and I believe it's the only song they've ever put out. Which is fine, because they're not all that great.

Unlike the 2 Live Crew, they don't use the signature Springsteen sample... they actually take their chorus from Cyndi Lauper ("Girls, we wanna have fuh-un; you know that girls just wanna have fun"). The beat's ok, hitting pretty hard and fairly layered with different elements, though you'll surely feel embarrassed for them when they play the national anthem on keyboard at the end. They have more than their share of contrived rhymes, and their style of rhyming in unison is kinda lame. Lyrically, it's essentially supporting the 2 Live Crew version, talking about their rights to be x-rated (which they claim to be, but they don't curse at all on this, their only song):

"Freedom of expression,
That's what we perceive.
Free to do what we do,
That's what we're lead to believe.
Then comes another,
Tells us we're wrong.
Tells us what we can and can't say
In our hip-hop song."

In closing, I have to say... the neatest thing about writing an informative hip-hop blog like this is that it still helps me learn stuff for myself. Check out the comments section for my A-B-C, 1-2-3 post for a really informative reply about the history of Tricky Nikki and how she met L'Trimm. I didn't know any of that. 8) Cheers, everybody, 'till next time.

Tuesday, February 12, 2008

A-B-C, 1-2-3

Hey, guys! If you haven't seen it already, drop by EclipticSight.com's blog… there's an interview with me up there! So, yeah, I hope you guys enjoy that… then come back here when you're done, because I've got another 12" write-up for ya tonight:

"Yo Jeff, what's shakin'?"
"Coolin'; what's up?"
"Girlies!"
"Come pick me up!"


Like the "As We Go" quote suggests, I'm not done with the girlie rap just yet. Today's record is the answer to that age-old question, "what do you get for the L'Trimm fan who has everything?" Tricky Nikki's obscure "Bust the Rhythm of My ABC's" 12", featuring L'Trimm, from 1989.

The first thing you'll notice and the first thing I've got to mention is that Tricky Nikki sounds exactly like Lady Tigra, and if there's any detectable difference at all, it's that she might sound slightly more Bunny D-ish. Honestly, I wouldn't be all that surprised if it was discovered that "Tricky Nikki" was really just some kind of alias (though I don't believe that's in fact the case). At any rate, with L'Trimm actually present and providing the chorus and the backing vocals, this is practically indistinguishable from a genuine, lost L'Trimm record. It's on their old label and is produced by The Fly Boys, using a fast-paced classic style Miami beat, except without much of a bassline… it's got a lot of repeated vocal samples and adlibs by Bunny and Tigra, and features a several simple keyboard refrains, including one that plays a note for each syllable of the chorus:

"A-B-C-D-E-F-G.
I wish that you could be with me.
1-2-3; can't you see -
What a
[something mumbled each time they say it] has done to me?
A-B-C-D-E-F-G.
Why don't you come play with me?
A-B-C, 1-2-3…
Bust the rhythm of my ABC's!"


The rhyme's a simplistic narrative about a guy with a bad rep who Tricky Nikki decides to give a shot anyway: "So we danced and romanced for a little while. He wanted to make love, but that's not my style. I said, 'not now; maybe later. They call me Tricky Nikki and there is none greater.'" That's pretty much the whole story, really. It's a quick vignette in three verses that doesn't quite get to any larger point beyond, "they call me Tricky Nikki and there is none greater." …Which is perfect for this kind of song. There's some basic scratching on the breakdowns and even a goofy human beatbox solo towards the end.

Then the b-side features a street mix… It's hard to imagine a song like this really appealing to "street" audiences no matter what they did to it. But this version does successfully strip away a lot of the keyboards (most notably the note-for-note bit mentioned during the chorus) and some samples, for a more raw, harder edge. Still, I think all those people who'd rather not hear the chintzy keyboards are the same ones who'd pass on this record regardless; so anyone who'd want this rare Tricky Nikki/ L'Trimm collaboration will probably prefer the original.

You might have a hard time locating a copy of this bad boy today, but if you want it bad enough, I have faith you'll be be able to track one down for cheap. 8)