I Don't Know Black

(Youtube version is here.)

The Return of Black, Rock & Ron

(Youtube version is here.  And the blog post I mention is here. And an important update/correction is posted here.)

Delivering Black, Rock and Ron To the Current Generation

Here's an album I didn't expect to get the big Sony re-release treatment: Stop the World, the first and only album by Queens trio Black Rock and Ron. Originally released on RCA/ BMG in 1989, the music was all produced by the group themselves, but has some noteworthy engineers, including Paul C., Jazzy Jay, Skeff Anslem and DJ Doc. I guess that's the big selling point over twenty years later - the sticker on the front boldly proclaims its, "Production by the Late, Great PAUL C",  which is dangerously close to the line of untruthfulness.  But, whatever the marketing reason, it's a dope album, and I'm glad to see it back on the market, giving younger audiences exposure to old school hip-hop beyond just the most famous, crossover hits.

All fifteen tracks are perfectly preserved here, but what I like like about these new versions is how they go the extra mile.  In this case, we're presented with a booklet which does a lot more than just carry over the track-listing, credits and dedications of the original booklet.  Most notably, it includes an all new interview with the group, the first with all three members in over twenty years. We're given some nice press photos and label scans, plus a full reprint of the Hip-Hop Connection cover story/ interview they did back in '89. And there's short quotes/ interview clips from various other hip-hop insiders about Black Rock and Ron, including Red Alert, Russell Simmons, Tragedy and even the guy who designed their logo! Basically, this will answer all your Black Rock and Ron questions and quell the lingering mysteries.

This CD - and yes, it's CD only... Sony always makes me sigh that way - mirrors the original CD release, thankfully including the two CD bonus tracks that weren't on the LP version, "My Hometown" and "Who's Got Next?" This is the really the best possible version of the US Stop the World on CD.

I specified "US" there, because the UK version of this album is wildly different, featuring many different songs and remixes (if you're wondering about the story behind that, you'll have to read the booklet's interview).* And here's another way Sony managed to make me sigh with this release... the second disc that almost was, but never got cleared. It would've included the songs from their debut 12" as The Vicious Four, and all the UK-only tracks.

I mean, just to illustrate how vast the differences between the two versions are, a rough CDR of the proposed bonus disc was sent to me, and it's 16 songs long.  Now granted, there's a little redundancy (two tracks seem to just be the bonus tracks on the official CD), and there's the two Vicious Four songs and an instrumental... but that's still over ten other songs and remixes - basically an entire second album!  There's remixes of songs like "Gettin' Large" and "I'm Tired," which interestingly are more street-oriented than the ones on the US album, which is geared more towards House tracks and stuff.  There's a track called "Cryin' the Blues," which turns out to be a remix of "Huffing and Buffing" from their Vicious Four 12", and remixes from their singles like "You Can't Do Me None" and "True Feelings." And there are all new songs like "We Be Wilin'/ Wild Thing" and "It's Raw." Even the UK-exclusive "Breaks" are here. Release both discs on vinyl, and you'd have the penultimate Stop the World experience any hip-hop head would have to add to their collection.

But let's not get too hung up on what could've been (though, if this sells like gangbusters, maybe an ultra-vinyl mega-set could still be in the cards down the line? Possibly? Extremely unlikely?). Even as a single disc set, this is a first-rate release that finds a deserving record that would normally be completely overlooked and gives it the first-class treatment. CD heads should be thrilled that this, of all albums, has been put back into print after twenty years. And even those of us with the original US LP in our crates should consider picking this up for the CD bonus tracks and the interviews, etc. Black Rock and Ron were some solid hip-hoppers from Queens who only occasionally veered too far into Run-DMC's lane, and the real disappointment is just that they never followed this up with a sophomore album.


*According to discogs, there's also a German version with an exclusive song called "Fresh" I wonder what the deal with that is...

The Doorbell Rap

Black, Rock and Ron released a hard, highly regarded album in 1989 on RCA Records (in fact, it's recently been released). They mostly produced their own material, but they did have that Midas-like connection with Paul C, plus a famous remix by Prince Paul. They had several singles and videos, but I guess they didn't quite break that mainstream sales barrier for their label to commit to a second album.

But their legacy isn't entirely limited to their all-too brief time RCA. See, before RCA, they were signed to Next Plateau, and even appeared on one of Red Alert's famous mixtape albums. Now, the single they released on Next Plateau ("That's How I'm Living") was carried over to their RCA album, but there's more to the story than that. Because they were signed to Next Plateau before they even became Black Rock and Ron. They released their first single under the name Vicious Four.

"Hard Rap" was released in 1986, and here's the first thing you'll surely notice about this. They sampled a doorbell. It's got your traditional programed drums, hand-claps and other funky sounds - it's a dope beat. But the signature tune they play on the hook is obviously the chimes of Big Ben as played by a doorbell. The people I house-sit for have this doorbell; it sounds exactly the same! It's even got that slight distortion towards the end of the refrain. I mean, this was the mid 80's, where it wasn't at all uncommon to have rappers rhyme over interpretations of cartoon and sitcom theme songs, so it doesn't sound that ridiculous (at least, comparatively) to hear these sorts of tunes in a rap track - they do actually pull it off, I have to say - but I'm still pretty sure these are the first guys to rap over a doorbell.

Now, this record does bring up a question I can't answer. Black, Rock and Ron are obviously a three man group. So who is the fourth on this track? Lord Black and Master Rock are the lead and only MCs here just like they were on Stop the World, and they repeatedly shout out Ron Scratch as their DJ. ...They don't name anybody else. Only Black and Rock get writing credits, and Rock did the production. It seems to be a very clear-cut three man operation. But they're calling themselves Vicious Four! Who the Heck is the fourth?? I think it can only be the doorbell.

They've also got another song on here called "Huffing N' Buffing," a more narrative-style song, where they relate various anecdotes of people working harder rather than smarter. It's fun, sort of a bemusing precursor to "You Be Illin'," with a slow, bassy keyboard riff over a beat that's otherwise very reminiscent of "Hard Times," particularly in its use of aggressive, isolated hand-claps. It's fun, but these little story raps are never (with the admitted, rare exception) as engaging as songs like the A-side, where they just spit their hardest.*

If you listen closely to the track, you will hear some silly, out-of-breath human beatboxing mixed into the track. I assume it's to illustrate the "huffing and buffing" of the title, but possibly whoever performed this is the mysterious fourth guy? Ha ha. I mean, I'd assume it's just one of the three members who recorded it real quick, but damn it, somebody's gotta be the fourth!

Anyway, this isn't a hard record to track down, and it's well worth it. It's definitely got that Hollis sound. And while it does sound more "old school" than their RCA material, it's no less fun for that fact. Both instrumentals are included on the flip.