Showing posts with label Jedi Mind Tricks. Show all posts
Showing posts with label Jedi Mind Tricks. Show all posts

Saturday, March 24, 2012

Mind Tricks the Body, Body Thinks the Mind's Crazy

Sorry it's been a little long since the last post... I've been working hard on the dot com. I'm happy to say that all of the broken images on my discography pages are now finally fixed - many with brand new, better pictures and logos. Also some discographies have been updated, and I'm starting to add cross-links back to matching blog articles... part of my long-term plan to make it all more interconnected and useful. It took a lot longer than you'd think it would, but I was so sick of having broken x's on my site, so I just plowed through and basically did nothing else until it was done. There are still some graphics I'd like to update to higher quality ones (some date as far back as the 90's, after all, when we were all new to the internet and nobody knew WTF we were doing), and I have plenty more updating and cross-linking to go, but it's a crap-ton better than it was. And I'm now back to doing regular stuff like my blog posts and videos. :)

In 2002, Jedi Mind Tricks' debut (and best) album, The Psycho-Social, Chemical, Biological, And Electro-Magnetic Manipulation Of Human Consciousness, was rereleased on CD. Previously, it was a vinyl-only release on JMT's own label, Superegular. But now they were on a comparatively bigger label, and it was time for this rare, underground record to get a wide CD release. To sweeten the deal, they included a bunch of bonus tracks. I already owned the vinyl, but those extra tracks had me on the hook... I might have to get the 2002 version, too.

But if I still had any doubts, I could thank the great Sandbox/HipHopSite war for pushing me over the edge. Since they were in such direct competition, they were constantly trying to one-up each other. And that often meant free posters, t-shirts, and other little bonuses when you pre-ordered the big event (in underground terms) albums from them. Occasionally, that even meant exclusive musical releases, which trumps the Hell out of swag. And in this case, HipHopSite came with the bonus CD, a three-track CDS, now a sweet collectors' item.

Let's cover the less compelling tracks first. See, Amber Probe was their debut EP, and some of the songs from that EP carried over to the subsequent album. But it still had some exclusives. This 2002 rerelease included one more of the Amber Probe's exclusive songs, leaving really just one exclusive (not counting instrumentals) to the EP: the original version of "Neva Antiquated." So, that's on here.

"Neva Antiquated" is, ironically, pretty antiquated. Stoupe's production famously involves really lush, vivid soundscapes. But this is the song that broke JMT: a superficially simple track dominated by a very short, repetitive sample that sounds like it's taken from sone ancient educational program about science. But damn it, it's frustratingly catchy. And the sparseness is perfect for directing attention to the MCs, who the spit crazy, complex rhymes that blew everybody's minds in 1996. Oh, and I said "superficially simple," because there's actually a lot of subtle elements and change-ups through-out the instrumental. If I just played it for you once, and asked you to describe it, you might say, "oh, it's just a little boop boop be boop" loop played over a drum pattern, but actually there's all kinds of sound effects and strange samples mixed in there, not to mention a nice gritty bassline that keeps the whole song moving forward.

So we've got that, but that's not so exciting since fans already had it on the Amber Probe EP. It's a little handy to have a CD version of it, I guess; especially since we're getting CD versions of all the other tracks; but that's about it. And next we have the Instrumental version of that song, which was also on the EP. And like the EP version, it's still a scant, seventy-one second truncated version. Fine as a little extra bonus, but really nothing to get excited about.

But the this song (actually the first in sequence) is the interesting one. It's an exclusive, still never otherwise released track called "Judge Wisely." Now, before anyone gets too excited, it's not as compelling as another 1997 JMT track. It's sort of just a freestyle. I mean, it's mastered better than your average over-the-radio freestyle; but it's just a single verse over a stolen instrumental. But it's the perfect instrumental (Gza's "4th Chamber"), and Icon sounds great over it. It's "off the dome," as he specifies before he starts spitting, but he's clearly stringing together a bunch of preconceived rhymes in there. But that's okay by me - it makes the finished track a lot tighter than him fumbling around for awkward words to finish his lines.

So, yeah, it's not like an OMG Epic Lost Masterpiece. But it does make for a genuinely cool little disc worth owning. It's probably awfully hard to find now, but when you do come across it, it'll probably be sitting on a 99 cent bin or something. So scoop it up and relive the days when Jedi Mind Tricks were a really impressive group.

Sunday, December 30, 2007

Here I Am, R. A. W.

So here's a cool, seriously overlooked record by an artist who's actually been struggling in the game for, like, ten years now. Raw (Linguistic Ventriloquist) dropped his "Comment #3 (Family Of the Continents)" 12" sometime around 1997 (there's no date on the label, so I'm just working off of personal memory), the only record put out on the label, Tetrahedron (if you sucked at math like I did in high school, I'll just throw ya a quick reminder: a tetrahedron is the three-dimensional shape of a four-sided pyramid… like the ones in Egypt). But it was mad nice, and thanks in part because of that and probably more because of his artistic associations, this 12" managed to make the rounds and got picked up for distribution by Land Speed.

Now, you'll have to go back in time with me a little here. Before Ikon the Verbal Hologram became Vinnie Paz, the embarrassing thug rapper; Jedi Mind Tricks was an exciting new group that had just come out with an incredibly impressive EP and LP. They'd pretty much come out of the blue, totally independently; and while Ikon seemed to be the lead, JMT's releases featured a slew of totally unknown, crazy lyricists with names like Yan the Phenomenon, Apathy the Alien Tongue, El Eloh, Subcon, Shadrach, Chico, Breath of Judah and the The Sun Pharaoh. Who the heck who were all these guys? Damned if anybody knew, but according to the liner notes, a lot of them were members of a crew called The Lost Children of Babylon.

Now again, this is before we were all disappointed by Heavenly Divine and what-not (though the production was hot, I admit - Stoupe actually became an even better producer than we heard on those initial releases) and everything since. And while we're all on the edges of our seats, the next release from any of these cats to come out was this debut 12" from Children of Babylon MC, Raw. I picked it up without even having heard it.

The production (by someone named Paul Ki-D) is cool, kind of simple, a little jazzy… and Raw has a clear, relaxed flow in the vein of Last Emperor. The song is a wild tale of countries and continents personified-cum-political allegory. Here's a sample:

"You see, Europe knew Australia had sex with China,
Who pierced her vagina
Just to be accepted by Australia…
Who's now being labeled a failure by Asia,
Europe and Africa. After
Antarctica received a sex change,
He blamed Europe for it.
See, Antarctica and Europe used to flirt
Until Australia lifted up her skirt.
It broke his heart
To find out his sex partner used to have male private parts.
Drama starts
Between the two; I had an interview
With the Earth last night;
And this is what she said."


Kinda bugged out, huh? The next song on the 12" is more in the vein of what us Jedi Mind Tricks fans were probably expecting… atmospheric production, with Raw performing the lyrics twice, in two different voices overlapped on top of each other (it's not as annoying as it sounds haha). He gets into the really out there, inventive sci-fi/religious lyrical territory as he narrates some essentially freestyle rhymes in the persona of the "Distant Traveler:"

"Intergalactic communication
Implanted by enchanted transcripts,
Engraved in Sanskrit,
Interpreted by…
Crystal translators!
...
I swarm through the storms
With a crown of thorns as my uniform.
My staff transforms
Into a unicorn,
In search of the promised land…
Guided by the pineal gland.

I built the sphinx.
The reincarnation of Ramses!
Angelic
Protector of the holy relics,
Born in the subterranean
Level of the pyramid;
My eyelid
Resembles Osiris,
Bearer of the scepter.
My mind is a replica of Mecca.
Egyptian philosophers
Politic in verses with the alchemists.
Archangels walk from the seventh plain."


The final track, "Balancement (720°)" is the jazziest, with a collection of sax and other samples, over a snare-heavy beat. Sonically, he ventures into Raw Produce-type territory, but the lyrics stay advanced, with the heaviest use of multi-syllabic rhyming wordplay. Then, on the B-side, you've got instrumental versions for all three tracks. Definitely a must-have for anyone into that illustrious, innovative scene of independent vinyl that flourished in the late 90's.

Today, you may be surprised to learn, Raw is still doing his thing. He's still with The Children of Babylon, who've put out a couple albums and aren't shy about touting their loose affiliation with The Wu-Tang Clan whenever they can. Raw himself - going by the name Richard Raw - is gearing up to release a solo album soon, sensationalistically titled Rich Raw Vs. Nas… you can read all about it at his myspace. In his "top friends," you can find the CoB's page, which also has links to the other members' pages, so you can catch up on everything they've done since Jedi Mind Tricks severed its ties with them almost ten years ago. Interesting stuff.