Finally! Children Of the Corn

(Okay, forces were definitely conspiring against me getting this particular video to you guys, but it's here now - the Children Of the Corn's Welcome To the Danger Zone 2LP from Dust & Dope!  Also a run-down of some other releases and interviews I've worked on, including an upcoming indie Philly restoration.  Oh, and yes, I know it's almost Christmas and I am still planning to get a holiday video up in time for that, too.  🙂  Youtube version is here.)

Big L Grail On Record Store Day

(This past Record Store Day, we got one killer release, with some very long-awaited music by the great Big L.  Youtube version is here.)

Royce da 5th Wheel

In 2004, Royce da 5'9" released a 12" - on Koch no less - produced by DJ Premier. It was the lead single off his Death Is Certain album, released that same year. The 12" was pretty loaded - it had the instrumental, tv mix, clean and dirty versions, and even clean and dirty versions of the acapella. But it was just that one track, no b-sides or remixes.

But in 2005, another 12" appeared... on a label called Major Threats with an exclusive remix. It was one a posse cut remix, a la "Flava In Ya Ear" or "I Got Five On It," with some high profile guests. I mean, really high profile guests. Would you believe Big Pun, Notorious B.I.G., Big L and 2Pac? And of course, if you're any kind of hip-hop fan, you've probably already noticed one other thing all those artists have in common.

You might think it's awfully presumptuous for Royce to retroactively put himself alongside hip-hop's most revered and honored legends, and I wouldn't disagree. But mostly I just find the endeavor kind of morbid. Of course, none of the guests' contributions are anything new to their fans... Even by 2005, pretty much everything they'd recorded while they were alive had already been released and sold to the public. So we get a bunch of recycled acapellas kind of sloppily slapped onto a new piano-heavy beat, this time produced by Statik Selektah (though Premier's scratching is still used at the finale).

Pun's verse comes from "Leather Face," L's verse comes from "Flamboyant," Biggie's verse comes from "Party & Bullshit" and 2Pac's verse comes from "Homeboyz." Royce's verses (one opening verse, and a mini-one in the middle) are at least all-new (which shows, by the way, he was 100% involved with this conceptual remix); and to be fair, Selektah's beat is pretty nice... But honestly, this song just makes me think how I'd rather be listening to "Leather Face," "Flamboyant" or "Party & Bullshit." There, the verses fit in better with the music, and having Royce on the record to introduce MCs like Biggie really isn't an improvement for me.

Now, I think Major Threats may've been Statik Selektah's label, because in addition to producing this and the B-side (we'll come back to that in a minute), the only other release I know of from this label was another 12" with more of his exclusive remixes. But what's interesting is it also featured another contemporary (for its time) song remixed to include recycled verses from Biggie and 'Pac. This was apparently Major Threats' "thing."

But anyway, getting back to this release, we flip it over to find another Statik Selektah remix, this time of Method Man's "What's Happening" featuring Busta Rhymes. It basically just lays that acapella down over the instrumental for "Know the Ledge." It feels a bit like a cheap mash-up, but I have to admit the combination of Meth's flow over that epic running bassline is pretty hot. The original version of "What's Happenin'" (as it was spelled there) was on Tical 0: The Prequel; and yes, Busta was on that version as well.

This record features Clean, Dirty and Instrumental versions for both tracks. This Royce remix was also featured on one of his mixCDs, The King Is Back, mixed by Statik Selektah. Now that CD just barely features any mixing really (yeah, it was another one of those), so you're not actually getting much extra with the complete version on this 12". But, still, if you think "Hip Hop (Inspiration Remix)" is worth owning on vinyl, this 12" is the ideal presentation. But, now that time's passed and we evaluate what does and doesn't warrant a place in our collections, I think whatever merit this record has basically just rests in its value as a curiosity piece.

Return of the Devil's Cash In

The latest of many posthumous Big L albums, Return Of the Devil's Son bills itself as a "brand new album with 21-unreleased songs." That's a pretty bold statement considering it... isn't. Let's break it down song-by-song, and then we'll come back to sum up and see how it compares to the many other Big L compilation albums.

Are these unreleased tracks genuinely [UNRELEASED], [OLD] previously released stuff, or just some readily available [FREESTYLES]s?

1. Return Of the Devil's Son [OLD] 1:46 - This isn't actually a properly recorded song even, but a clip from a live performance with Big L kicking an alternate verse for "Devil's Son." Specifically it's taken from a CD Sandbox used to sell called Live From Amsterdam, and it was also released as "Live in Amsterdam" and "Devil's Son (Europe Version)" from those Harlem's Finest releases.

2. Devil's Son From Lifestylez [OLD] 4:00 - This one was included on the initial, promo version of L's debut album (though at least this one admits it in the title), but it was more popularly available as a 12" single, which I reviewed here.

3. Zone Of Danger [OLD] 3:39 - The first of many (intentionally?) garbled titles on this album; "Zone of Danger" is actually a remix of "Danger Zone" by J-Love that was one of his "exclusives" a few years ago. At least this version doesn't have J-Love's vocal tags over it... I'm not sure if this was ever released anywhere without the tags on it, so that's nice.

4. Sandman 118 [FREESTYLE] 2:55 - This is an old freestyle off one of Sandman's 12"s from 1995, where it was originally titled "L's Big Freestyle."

5. School Days [OLD] 3:15 - Another one from the promo version of Lifestylez Ov da Poor & Dangerous, and later on vinyl on the Uptown Connection LP and various other vinyl boots.

6. Principal Of the New School [OLD] 3:54 - This one's from Lord Finesse's Rare Selections vol. 2 EP.

7. Unexpected [OLD] 3:36 - This is "Unexpected Flava," also from Lord Finesse's Rare Selections vol. 2 EP.

8. Tony's Touch [FREESTYLE] 1:55 - An old freestyle. On 2009's Harlem's Greatest compilation album, this was titled "139," and "Tony Touch '139'" on the Harlem's Finest vinyl from 2001.

9. Right To the Top Feat Royal Flush & Kool G. Rap [OLD] 3:27 -This is the one with the big name guest stars they hype in their press releases, but I hope you didn't get too excited, because it's really just the song "Double Up" masquerading under a new title... Remember that old Royal Flush 12" I blogged about here?

10. Once Again [OLD] 3:31 - This one's been on mixtapes (perhaps most notably by J-Love) for years. ...I'm actually not sure where it first debuted, but it's really just another remix of recycled material anyway, as the vocals are from "On the Mic" (which were also recycled for "Size 'Em Up" on The Big Picture... these rhymes have seen many a repackaging!).

11. Harlem World Universal [Freestyle] 1:22 - This was called "Universal Freestyle" on Harlem's Finest and 139 & Lenox.

12. I Won't [OLD] 4:01 - This is "How Will I Make It" from that Harlem's Finest vol. 2 EP.

13. Hard To Kill [FREESTYLE] 2:11 - This old freestyle was titled "Stretch and Bobbito '93" on Harlem's Finest.

14. Power Moves [OLD] 4:01 - More sneaky retitling... This is the song "Now Or Never" that's been on other recent Big L compilation albums like The Archives and 139 & Lenox.

15. If You Not Aware [OLD] 3:45 - Retitling of "Games Females Play" from The Archives, 139 & Lenox, etc.

16. I Should Have Used [OLD] 4:26 - This is really the song "Clinic," although it's been previously released on vinyl under this title as well.

17. Doo Wop #5 [FREESTYLE] 1:31 - Obviously a Doo Wop freestyle. This one was titled "Doo Wop 'My Niggaz'" when it was released on the Harlem's Finest wax.

18. Yes You Can [OLD] 3:55 - This is just "Hit It" (which you can find on The Archives album) under another fake title.

19. Audition [FREESTYLE] 4:48 - This was titled "Rock N Will Audition" on Harlem's Finest.

20. M.C.'s Whats Going On [OLD] 3:46 - A mistitling of "I Can't Understand It (Original Demo Version)" from Lord Finesse's Rare Selections vol 3 EP.

21. Slaying the Mic [FREESTYLE] 1:53 - And we conclude with one more old, retitled freestyle... you'll remember it as "Kay Slay Freestyle" from Harlem's Finest.

Oh, look at that! Not a single one of these songs actually got an [UNRELEASED] tag! And just to clarify, even the FREESTYLES are all OLD. This compilation does have the dubious distinction of throwing a lot of misinformation into the Big L fandom, though, by mistitling a lot of its songs to make it appear as though a lot of its content was new. You can't even say, "oh well, this is old stuff, but at least it's their first appearance on vinyl," because this was CD only.

There's really no distinction in sound quality between this and any of the past posthumous albums, so if you wanna pick one of these posthumous compilation albums up, I'd recommend 139 & Lenox on wax instead. Return Of the Devil's Son really has the least going for it of any of these albums (and did I mention it's a pack of lies?).

The quality is going down, not up, folks! ...Maybe it's time to stop releasing these things?

Big L & G Rap Double Up

Q: How many records have Kool G Rap and Big L done together?

A: Not enough!

Okay, I guess I shouldn't put that question in your heads and leave it at that. lol The real answer, by my count, is two. One is "Fall Back," a song off Big L's The Big Picture, his posthumous album on Rawkus. And the other one is this nice, oft-overlooked track by Royal Flush on Offical Jointz. There's no year on this 12", and the catalog numbers are a little confusing, but thanks to the fact that I've been documenting Kool G Rap's discography for years now, I can confidently say that this dropped in late 2003/early 2004.

So yeah, it's just the one song, "Double Up," in Clean, Dirty and Instrumental versions (the B-side duplicates the same three mixes). The uncredited production is decent but unexceptional - it sounds like a billion other mixtape-type tracks these cats were rhyming over around that time. It's got one of those "epic" film soundtrack loops with a little pitched-up vocal sample that Canibus seems to be madly in love with. Really, you'll be expecting Whookid, J Love or some other asshole to start shouting their fool name over the song at any second. Fortunately, though, this is a proper 12" and there's none of that here.

But getting these two giants together makes this a must-have:

"How I'm livin': swell;
You can't scar L.
Head of the cartel,
Sellin' more cakes than Carvel.
Now I'm labeled a kind thug;
Police got my line bugged;
Hope I see the grave from old age,
And not a nine slug.
I'm quick to bust a mean nut
In some teen slut;
Big L is clean cut,
with more jewels than King Tut."

Kool G Rap's verse is even sicker. But disappointingly, it's another case of him recycling his bars from another guest verse: Canibus' "Allied Meta-Forces" from his Mic Club - The Curriculum album that had dropped earlier in the year. But I think for a lot of G rap fans, this 12" will be the preferable way to have those rhymes in their collection, anyway. So yeah, G Rap's verse is recycled... and if those Big L lines seemed a little too familiar... yup. They're from his guest verse on Gang Starr's "Work" off their Moment of Truth album. So this is one of those tracks that seems to've been stitched together from old acapellas. But in L's case, at lease, you had to expect that considering this came out well after his passing.

Anyway, Royal Flush's verse seems to be original (as far as I know... there's a lot of Royal Flush singles I haven't got), and he holds his own pretty nicely as well ("Feds wanna challenge us/ Off balance with silencers/ Locked up with calendars"). And of course you can't take G Rap anywhere without Ma Barker tagging along. But it could be worse - he could've married Charli Baltimore. Besides, the presence of Barker at least suggests that G Rap was actually knowingly involved with this recording, even if he was spitting old material.

I don't know how rare this is. Curiously, it isn't on discogs yet, and a quick google search doesn't return much... but I didn't think anything on Official Jointz was really that limited. Anyway, I wouldn't expect to have to pay a lot for it, but I recommend picking one up when you see it.

The Devil's Debut