The Lonely Hearts Preservation Society

Have you ever put off listening to something for a long time because you were afraid it was going to disappoint you? I hope so, because I don't want to be the only dummy who's committed so much time not to not listening to an album they wound up really digging. The album in question today is Lonely Hearts Club by Neila, an extremely limited cassette-only album.

This is described in the liner notes as "a rough four track epilogue as my four track is slowly deteriorating and losing function, as do relationships," adding, "your instructions are to listen to this tape, burn it, and start over. life is too short." Well, I'm not burning mine! I'm squirreling it away along with all my art treasures. It's dated as 1999-2005, because that's the lifespan of her four track recorder, but then she still used it to make this last tape? I know she talked about recording this album in 2010 and... I don't know.

What I do know is that it's really good. It's a full-length album of ten songs, and the theme of lonely hearts and broken relationships definitely runs through it all. It's definitely got a funky, low-fi feel, where static-y snippets from movies and television clumsily drop in to introduce layered hip-hop tracks, where Neila alternates between traditional raps and her sing-songy style, which she sometimes uses for hooks and sometimes entire songs. The last song on side 1 even cuts off before its over because the tape runs out - now that's a classic 4-track hip-hop move, like those old Sacred Hoop tapes.

Production duties are shared by three guys: Vango, Sakari and Messiaz, plus I'm guessing the uncredited songs are produced by Neila herself. They've all got a knack for supporting Neila's vocal and writing style, so that plus the the unifying melancholy vibe makes this actually one of Neila's more uniformly satisfying albums. The songs are distinct, mind you; but you still want to take it all as one giant, inseparable listen, just absorbing Neila's raw sometimes artistically codified, and other times openly straight-forward self expression. But I can't think of many hip-hop albums that feel so nakedly like the artist poured their entire heart into it. And as O.C. famously said, "the more emotion I put into it, the harder I rock."

"Things are crashing down;
I'm swimming upstream.
Only enough left,
To fill one more dream.
Let's hide away,
Let's shout and scream.
Let's realize
That we can't say what we mean."

Just like I was hesitant to listen to this when I first got it, I've been hesitant to blog about it, but for a different reason. It's super limited and several years old now, and basically impossible to find. It was initially limited to 77 copies, and I was lucky enough to get a special copy, personally, making mine #79/77. It's a cool red, hand-numbered cassette with fold-out artwork by Neila herself. I don't want to frustrate people by dangling them an impossible to obtain album in front of them, but I also don't think it needs to be burned for us to start over. So I'll keep it alive in writing here and who knows? Maybe it'll get fancy a digipack repress when the next generation of fans comes knocking for more Neila music.

Neila and Vrse... Finally in 2014!

Holy cow - it's finally here! That Neila and Vrse Murphy EP they've been promising for years and years... Here's a post I wrote in 2009 saying that it had been so long, I guessed the EP was never coming. So it's been five years since I was giving up hope on it, I don't even remember how many years it's been coming in total. And it just dropped now. I'm still mentally processing it.

Undedicated (or Udnedicated, as it's spelled on the front cover) is an eight-song EP, though the intro and outro are under two minutes each, so maybe you could count it as seven songs. They're not just little skits, though. The closer is a full vocal and instrumental song, the title song in fact, and it's actually one of the best songs on the album. It's got a really rich sound, a simple but effective hook... it's just based around a single verse as opposed to the traditional three. The intro, on the other hand, really is more on an "intro" than a full song. Again it features some of the strongest production, but instead of Neila rapping it just features a fascinating spoken word poem over the track, which does a great job setting up the tone for the album.

If you're a hardcore fan, you've heard two of the songs before. Neila shared her then unreleased collaboration with Vrse, "Stone," on her Youtube channel four years ago... Something else I took as a sign that this full EP would never come out. A moody track that reminds me of Neila and Vrse's first song together from her debut EP all the way back in 1998. And at another stage, a song called "Felt Again" (sometimes titled "Felt Dos") was set loose on the internet. It's an updated version of their stand-out track on Neila's 2004 album For Whom the Bells Crow, naturally called "Felt." I call it an update more than a remix, because it essentially retains all of the same music from the first version, but adds new instrumentation and singing to it, fleshing it out even further. It's also about double the length. The original vocals are carried over to this new version, but she's also sneaked an all new verse into the middle. Anyway, it's great that these two songs have finally found a home besides simply "out there" on the 'net.

And so that leaves four more songs, and some of us might've been a little apprehensive, expecting some half-assed studio scraps culled together to fill out an album. But no, these are all top shelf songs that stand alongside the best of their work on past albums. Well, mostly. Personally, I wasn't really feeling the music for "Swamp," which stands far afield from the rest of the EP, replacing the lush musicality with a main loop that sounds like it's made out of computer sounds from some 80s sci-fi movie. Don't get me wrong, over the years Vrse has already proven himself a master of more than just the one style heard on the rest of this EP. Plus, there's a funky little breakdown where the beat changes up for the last verse, giving the song some life for the finale. And it's all technically done well enough, with a fresh drum break underneath it all. Neila's still rocking it. It's just not... enjoyable? It's just the kind of loop to make you think, eh, what else is on this album?

But that's alright, because the answer is plenty.  When Neila raps about feeling hung over in "Blue," it feels like she's crossed over into Hoop world. Meanwhile, the pair is never more in sync than they are on "Fence." And "Black" may be the break-out song everybody falls in love with like "Felt" was for the Bells Crow album.

Taking all these years to release an album is really setting up your audience for disappointment. It's why Dre is scared to release Detox. And as a fan who's been touting Vrse and Neila as one of the best possible match ups since Jeru and Premier, I'm thrilled and relieved to report that this is it. This is in no way a let down, but exactly what we've been waiting for. An Illmatic not a Stillmatic, and finally having it in my hands has me smiling like the drawing on the CD cover.

Oh yeah, that reminds me... The difficulty is that it's apparently an extremely limited CD, so you'll have to put in some serious due diligence to actually obtain a copy. Neila's been selling copies to her fans through facebook; but I haven't seen them available anyplace else yet. But if you're a Neila and/or a Vrse fan, I can assure you that it'll be worth the effort.  =)

A-Rrested Development On the Wax!

(Youtube version is here.)

Make This One Count

This one is really flying under the radar, but you don't want to miss out. Apparently with zero fanfare at all, Neila has released her latest album, Only This One Counts. It's a full-length album, on vinyl only, pressed on marbled red and hot pink vinyl, and as you see, comes in a picture cover with her own artwork. Neila's been selling them herself through her facebook account for $12, and now a couple online stores (like accesshiphop) have been getting some copies in stock.

So how is it? I'm happy to say it's dope, and definitely better than her last album, which was still good. There, for me at least, the production just didn't quite click with Neila's voice and flow. Here, it definitely does. It's entirely handled by one guy named Rezult, who I don't think I've ever heard of before, and he has no credits on discogs. But whoever he is, he does a great job providing a consistent, vibrant sound, and one that meshes perfectly with Neila. It's moody and dramatic and sets up Neila's personal, heartfelt lyrics (all handwritten on the back cover, by the way) perfectly.

There aren't any guests on this album, except for DJs Handprints and Skid, who provide some nice cuts on a few of the songs. Otherwise, it's all just Neila and Rezult doing their thing, giving this album a much more personal vibe than her others. And it's made all the more personal, when you know the story behind it. Like I said, Neila's putting this one out herself, and in this message to her fans, she explains the situation, ""PLEASE SUPPORT MY ALBUM TO HELP PAY FOR HOSPITAL BILLS AND RENT! I have vocal chord cancer, things are looking good, this is the LAST ALBUM with my real voice..."

So it's kind of a special release, though hopefully "last album with my real voice" doesn't equal "last album ever." But she sounds good here, coming with a really cool album in all aspects, and the presentation is first class. So while you may have to do a little work to secure a copy, I think this is no Neila fan will want to have passed up.

Werner's New Music Seminar 2009!

Werner presents his second annual New Music Seminar, where I round up some of my top recommended albums that I've been rocking this lately. I think I'm gonna make this a regular summer tradition - and if you missed last summer's, it's right here.

Blaq Poet - Tha Blaqprint
This is so obvious, I figured I oughta lead with it, just to get it out of the way. I've read the criticisms of this album, and don't really disagree: Premiere is feeling more and more like recycled formula lately; and Poet isn't exactly a mind expanding lyricist. But, still, two dope hip-hoppers came together to make a really good, consistent hip-hop album and they succeeded. Some tracks are high-energy Premo, and others are slower and darker, so it doesn't feel repetitive.

Neila - Better Late Than Never
"Late" is right! At least we had The Convenience Store to tide us over; because it has been far to long since we've had a Neila album. So now, this is not the EP with Vrse Murphy that was talked about some time ago (I guess that's scrapped? I just heard from Vrse; and it's still on! He's been away for a while; but he's back, working on it now); instead this album is produced in its entirety by a new guy named Avatar (except one song, which is co-produced by LifeRexall). But it's as dope as you'd expect from Neila... the album definitely isn't front-loaded with the best material; it gets better as you go on. And Avatar's beats sound more appropriate for when Neila sings (the occasional hook) rather than when raps (when it can get a little flat). But once it gets going, it takes off.

Pace Won - Presents Team Won
Last year Pace was in my NMS and he's back again this year. Every fresh MC should be this prolific. So, yeah, like the title suggests, this is kinda his "weed carriers" album; but fortunately Pace rocks the mic on every single song save one. His crew ain't bad either, the beats are a little more rugged than on his last album (not sure if that means they're better or not - you'll have to call that one yourselves), and there're guest appearances by El da Sensai and fellow former Outsida, DU. Not his masterpiece; but fans won't be disappointed.

Bike for Three - More Heart Than Brains
I have to admit I wasn't too keen on this album before I heard it. This was definitely a low priority pick-up - Buck 65, who I'm a definite fan but who has a poor track record when it comes to collaborating with other producers (Situation, anyone?), links up with some lady from Belgium who calls herself Greetings From Tuskan? Oh, and their lead "single" (in quotes 'cause it was just put an advance mp3; there's no actual single for it) was a remake of MC Shan's "MC Space" that - guess what? - was not good as the original and offered nothing new. I was prepared to go in with the lowest expectations and still have them crushed and come out annoyed. But no! This is one of those instances where it's better not to listen to reason! It turns out this is a seriously good, surprisingly consistent (except for "MC Space;" but at least it's tolerable album filler) album. Really.

Busdriver - Jhelli Beam
Man, BusDriver really kills it on this one. He can rap (both in terms of delivery and content) like almost no one can; and he's got the production (mostly by his usual cohorts, including himself) to back it up on this album. Every once in a while, a beat will pop up that's a little too "experimental;" but most of the time it's a killer combination. Maybe at times it feels like he's trying a little too hard to be clever? But, really; I'm reaching to find a criticism; because it's just hot.

Chubb Rock & Wordsmith - Bridging the Gap
Finally, I was hoping to end with this album; but it didn't come out. I had this pre-ordered from ughh, and they eventually canceled it saying they don't know if or when it's coming. If you've been following me on Twitter, though; you'll know I looked into this and finally got some answers. According to Wordsmith, the distributors screwed up the date and he's now expecting this to drop on September 1st. Well, we'll see. I hope so.

Buy This CD At Your Earliest Convenience

You know what? It's nice to be able to shift focus from the old school once in a while and highlight a brand new album that's just really, really good. Mainstream hip-hop may be sinking into an increasingly annoying state, but if you think there're no new albums to pick up in 2008, you need to find yourself a copy of Apt. 227 and cheer yourself up.

Convenience Store is a collaberative effort between Tommy V., EVS and Neila, which they'd been working on since 2000. EVS adds on his myspace blog, "Please believe we put our blood sweat and well, evs' tears into this release......after various songs being lost, re-recorded and finally mixed and mastered, it finally sounds beautiful!" Calling your hip-hop album "beautiful" probably sounds a bit pretentious, but I daresay they've earned it.

It's ten songs, showcasing the three MC's very creative styles and songwriting. The production starts out a little sparse, simple but fresh beats with a few percussive samples, putting the focus on each MC. Then each song gets progressively more richly musical... DJs Drugs and Norm Rocwell provide sone scratches, and Tommy V even plays some instruments like keyboards and trumpets over the track, and they all work perfectly. Fellow LA2theBay MCs Joe Dub, Maleko, Ceshi of Anonymous Inc. and Raj turn up to add some guest verses on the later songs (Ceschi twice).

It all hits a high point at the end with the final song, "Smile," but I'm gonna go ahead and be predictable and declare my favorite song to be "Can't Wait" - a remake of Spyder-D's classic "I Can't Wait (To Rock the Mic)," using the same basic instrumental (right down to the little loop of bells), but with some new, smooth instrumentation by Tommy V laid over the top, which blends in perfectly; like a long lost element from Nu-Shooz's vault. Each MC replaces Spyder's super-fun braggadocio rhymes with more soulful, "next level" verses like "Trying to keep my balance/ Trying to take control/ With only scraps left/ To fill my soul/ Next time/I stand behind my window and wait/ I won't open the door/ I won't try to relate/ Only sit on my floor/ Contemplate/ How the roads of love/ Seal our fate." It just needs a little scratching at the end - which maybe I'm partially missing because I'm used to DJ Doc's cuts on the original - and it could be the song of the year. That's a hint for when you guys to drop a 12" single, which you really ought to do!

The only downside to this album was the misguided inclusion of unofficial fourth member Longmont Potion Castle, who does "artistic" prank phone calls - that is to say regular prank phone calls which are later edited out of sequence, chopped up, and have sound effects added. Check out his site at: www.longmontpotioncastle.com to get an idea. Like any skit on an album, it's not even as entertaining as it was surely meant to be the first time, and after you've listened to this album through a couple more times, you'll really be wishing for a song-only version. There's a long album "intro" (ask Max at Hip Hop Isn't Dead... about the joy of those) and some more segments which randomly appear at the ends of certain songs. There's even a hidden bonus track of additional prank call segments at the end. ...But, still, don't let that discourage you from picking up an otherwise excellent album.

Now, there doesn't seem to be anything for Tommy V, but Neila and EVS have myspaces here and here, respectively. And, finally, Neila has a message she's trying to get out, so I'm gonna post it here to help get the word out:

Education Update from Neila - Please read!!! PLease act!!!
I hate bulletins so I am sorry but i am writing all of you for the sake of the students in California. This community has power and if we all come together we can potentially save our future. Right now our governator is going to cut public education. For those of you that don't know, I teach fourth grade in inner city Los Angeles. This cut he has proposed that has already passed threw the legislature is going to double class size, get rid of all afterschool programs, get rid of all new teachers, cut special education, along withdisplace thousands of employees in every school district. At my school, we have already let people go and they are saying that we have no money for supplies next year. We cannot even buy pencils....Our state ranks 2nd in the nation as the richest state, our state ranks 48th in the nation on student spending. That means we spend $700 less per student than every state except two. These cuts will devastate our children, devastate our futures. I know I am losing my job, but I am writing this to educate those who don't know to urge you to write your legislative representative, write the governer, the mayor, and come join us when it comes time to hit the streets and protest, if not for yourself for the future of our children who will be with little to no support, no where to go afterschool, and little hope. The effects of these cuts are devastating and we should not idly stand by and let these hummer owning officials hurt our children!

Tags: Convenience Store, Neila, Tommy V, EVS