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If you were paying attention in the 90s when kiddie rap groups became popular, you may remember The Puppies. They were the big Miami bass representatives of that phenomenon who scored some hits with tracks like "Funky Y2C," "Summer Delight," and to a lesser extent, their club rendition of the "Hokey Pokey." They had two albums: their self-titled debut in 1994 and its follow-up, Recognize, in 1996, both on Joey Boy Records. Listen to those albums and they name-check themselves hundreds of times. Look at the album covers, watch the videos... It's two kids, a boy and a girl, named Big Boy and Tamara Dee. Sure, we remember them.
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By the way, just to be thorough... you may've noticed that The Puppies second album, Recognize, says it's featuring The Pup Pound. That Pup Pound consists of Tinika, Tamyra and Candice, who may or may not be the same Pup Pound from Top Dog.
So, okay, here's the chronology of Puppies albums... Top Dog with Ant D in 1993, self titled in 1994 and Recognize in 1996. Now, this "Big Booty 12"" on Vision Records (which Disco Rick was a co-owner of)? 1995. Putting The Real Pupps right in the middle of The Puppies' two major albums. I suspect these songs were recorded for what was intended to be a full-length album by The Real Pupps, designed to challenge The Puppies for their name and clout. But Vision became a graveyard of Rick's unrealized projects at that time, with singles and compilations promising albums by acts like Silence (Down 4 Life) and Roni D (Mind of a Mother's Child) that never came out. So they wound up just being included on this EP and a CD compilation called Bass In da Hood.
But just who are The Real Pupps exactly? Bass In da Hood has more detailed liner notes than the 12", but even that doesn't tell us much besides the interesting tidbit that Quad Star and Don Ugly (of Madd Blunted) had a hand in "Get Low, Get Low" and that both the Pupps' material is being released in conjunction with Phat Rat Records (who presumably would've released the album, had anybody done so). But actually listening to the songs, it gets a little more interesting...
They start laying claim to their authenticity by asking, "remember back in the days when we used to kick it with The Dogs?" They rap, but a large part of their act (just like the other Puppies) is providing hooks and shouted choruses. And a lot of that is sampled and replayed by the producers. Interestingly though, a major refrain from both of the new songs is actually a sample from the intro to the original "Crack Rock" song ("oochie wally wally, oochie bang bang" - long before Nas or The Bravehearts recorded their songs!), I guess to demonstrate that these are the real Pupps. But they name-check themselves, too; and while it's a little hard to make out since they're talking over some very busy instrumentals, it seems to be just two girls named Sereba and Noochie (guessing on the spelling, of course). Now let's scroll back up to the list of kids from The Dogs' album before the Mills brothers substituted their own offspring. Sereba's there, but I don't see any Noochies. Maybe it's a new nickname, or maybe it's just one more kid being thrown into the mix. If anyone wants to come forward, I'd love to know.
At the end of the day though, all The Puppies/ Real Pupps kids sound the fucking same, and a large percentage of their performances seems to be created by their producers anyway. But I like that at least one of the original Puppies girls got to come back for a second round while The Mills' kids were making deals with Sony and Pandisc. It's a shame The Real Pupps' album never came out, not so much for the lost art, but just because it would've made for a pretty entertaining publicity battle to have two kids groups claiming to be the authentic Puppies. It would've made for some amusing Source articles, and all these Puppy records are at least fun examples of the more hype side of 90s Miami bass; you can never have too much of that.
Major props for this in-depth article. These groups dont get much publicity. I always wandered were they the same groups and I had no idea the Dogs went through so many transitions.
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