Friday, April 21, 2017
Dirty Jersey Week, Day 5: Redman Going Solo
The next reason is that it marks the comeback of K-Solo. He'd basically disappeared when his deal with Atlantic wrapped up in '92. Plus, when EPMD split, he seemed to side with PMD's less successful Hit Squad than Sermon's powerhouse Def Squad. Not that he made any appearances on Hit Squad projects either. But now he was coming back on the most anticipated release from any of these guys, and it was on the Def Squad side, not Hit Squad. The beat for this is co-produced by Erick Sermon and Redman (though it's basically just a slight tweak of Mantronix's classic "Cold Gettin' Dumb" for Just-Ice with a little "Top Billin'" laid over the top). Did this also mean the Def/ Hit Squad split was healed? Had everyone gotten back together and was an EPMD reunion next on the way? Fans were understandably excited; and yeah, next year EPMD was Back In Business. But K-Solo's career got left in a closet somewhere. All he got out of it was a guess appearance on Stezo's indie 12"; and that guy was more on the outs that Solo.
So anyway, you already know the song on the Muddy Waters album is called "That's How It Is (My Big Brother)." Redman and K-Solo trade verses back and forth over "Cold Gettin' Dumb." But on the promo 12", the song has an alternate title: "That's How It Is (It's Like That)", and one of the versions on there, besides Instrumental and Acappella, is "(My Big Brother) - Radio Edit" (the Dirty version's on there, too). So, that begs the question, what is "That's How It Is (It's Like That) - Radio Edit," a completely separate track without the "(My Big Brother)" part?
Let's look at the retail version. Here, we get entire different sets of song credits for "It's Like That (My Big Brother)" and "That's How It Is (It's Like That)," even though they have identical writing, production, mixing, mastering, publishing and sample clearance credits. There's just one difference. Only "It's Like That (My Big Brother)" also credits additional vocals to K-Solo. Yes, both 12"s have the duet you're all familiar with from the album and music video on them. But they also have an alternate version with the same beat, but minus K-Solo. Redman's verses are all the same, but since removing K-Solo would make the song about 90 seconds, he also has all new, additional verses at the end. The song also has a different hook and is missing the "Reggie Noble's stinking ass" intro.
I'd love to know the story here! Did Redman record the song solo, and then K-Solo came around last-minute, so they re-edited it to cut him in? Or did they record the duet and then remake it without him? Was this the result of the tumultuous Hit Squad/ Def Squad drama still bubbling, or maybe Redman just wanted a solo version so he could tour with the song when Solo wasn't around? Which version came first?
Anyway, I've always been a K-Solo fan, so I like him being on there. I mean, his return was what made the song so exciting in the first place, and the two of them going back and forth with their distinct voices gives the song more energy. If the song's not a duet, it's a little too much like just an unnecessary "Cold Gettin' Dumb" rehash. But on the other hand, any Redman fan is going to also want the solo version with twice as many bars of him going crazy like, "I go down to White Castle to get a bitch who's on the dick for the whip. The lyricist is shit; I explode at full blitz to put Time Warner on the fritz."
Both 12"s have exactly the same track-listing, which is unfortunate because, while they come fully loaded with the instrumental and radio edits of both versions, they only include the Dirty and Acappella versions of the K-Solo song. And yeah, I like that one better; but it means we don't have an uncensored version of the Redman solo song; and as you just read, he definitely throws in some words that they had to cut out. Still, either 12" is a big step up from only having the album and the one, famous version of the song.