Saturday, August 31, 2019

The Two Essential King Sun B-Sides

In King Sun's catalog, there are two essential B-sides.  To be clear, that means the song in question must be exclusive to a single off one of his five albums to qualify.  "Universal Flag" is a dope song on the B-side to "Be Black," but it's also on the Righteous But Ruthless album.  And "In Pursuit Uptown" is a dope song on the B-side to "Sippin' Brandy," but that's not connected to an album, so the whole 12" is already essential in its own right.  I'm talking about the 12"s you still need to get, even if you've already got the album, because of these hot B-sides.

Up first is 1987's "Mythological Rapper."  This is on Zakia Records, and in fact is his very first single.  The A-side with D-Moet, "Hey Love," eventually found its way onto his debut LP on Profile, XL, but for whatever reason, they left this one off.  Based on its title, you might expect something like Kool Moe Dee's verse Olympian from "Get the Picture:" "Aphrodite would freak as her knees get weak, and Venus would peak off every word I speak. And Zeus would get loose, fully induced, and I'd make Apollo's rhymes sound like Mother Goose. And by night's end, Mercury is so hyped he'd spread the word that there's a god on the mic."  But nah, it's just King Sun going hard over a tough beat by D-Moet and Cut Master DC.  The premise is just that fake MCs, or mythological rappers, need to suffer the brunt of his battle raps.

I've heard speculation over the years about who he's dissing on this record, but I'm convinced this is just general "sucker MC"-type targeting.  Lines like, "see, I'm waitin' for one of you to slip up and make a mistake; just to mention my name, that is all it would take," suggest these shots are open to anyone who dares step in front of them.  And who he's talking over the course of his many bars (this is a seven minute song with six or seven verses) keeps changing.  At one point the "you" is a woman he's talking sex smack to: "I get the booty hole warm like the quiet storm; I go to work and go berserk and work you out your skirt.  You really dig me 'cause I'm thick, but then you think it would hurt.  But see, you told me you're a woman, I guess you can hang; don't blame it on me if I hurt your thang."  I mean, I could be wrong, but I hope that's not directed at Big Daddy Kane or Rakim!

Admittedly, that brief diversion is more the exception than the rule.  It is mostly battle rhymes.  But again, things he says keep suggesting he could be talking about anyone who crosses him: "rappers are cryin', cussin' and swearin', calling me names, but I can't hear 'em.  They always get nervous every time I go near 'em.  Soft like tissue, fear is the issue.  Just when you least expect that I'll diss you, I'll take away your title, I'll make you bow.  I'm the King and I have spoken, and I mean now; so drop to your knees and lower your head; don't think about repellin' one word I've said!"  Of course I'm familiar with subliminal disses, but I think sometimes we just want the drama too much and force ourselves to find it.  But don't let your blood lust for a good diss record cause you to miss this strong little record.  The beat's pretty raw, with smacking drums and bells, with a simple, stuttering "mythological, mytholog-mytho-myth-mythological" vocal sample for a hook.  But they don't really cut it up 'till the end of the song.  All in all, it's better than a lot of the stuff that made it onto XL; I'm surprised they left it off.

Then there's no other B-sides to worry about until Sun's second album.  Now, this one's interesting.  "Be Black" was the big, lead single off Righteous But Ruthless, but "Big Shots" was his less acknowledged second one.  "Undercover Lover" is actually the B-side on this record, which is far more well known.  That's actually the song they made the video for, and yes, it's on the album, too.  The B-side I'm singling out here is actually a 12" exclusive remix of "Big Shots," and you'll never guess who it's by.  Funkmaster Flex!

The original "Big Shots" is a really tight narrative crime rap, that's equal parts "Road To the Riches," "A Children's Story" and the final verse of "The Message."  Right from the jump, "Once upon a time there was a big diesel kid who just got sprung from a ten-year bid.  Ten years is a long time; he left as a pup, but came out as an adult, about to act up."  There's just some great writing in here like, "you dissed him and you just got smoked, then he'd take your spot and leave your family broke.  Even 5-O was petro and wouldn't even act up; to give him a ticket, they'd have to call in for back-up."  And it's the details that really put it over similar crime stories: "never again would homeboy go thirsty 'cause he bought a mansion in Paterson, New Jersey: the house that was owned by Lou Costello.  At the age of 25, life was so mellow; a father of four, each had different mothers.  That's to my knowledge, might've had others."  It's a predictable but effective rise and fall tale all set to a classically atmospheric "Nautilus" loop produced by King Shameek, who cuts up a tried and true "Gangster Boogie" vocal sample for the understated hook.

Yeah, the one weak spot of the song is that, lyrically and sample-wise, we've heard it all many times before.  It's so pure, though, you wouldn't want to replace it with a remix.  But revitalize it with a whole new energy that turns it into a hyper companion piece?  Yeah, that could work, and a pre-Hot 97 Funkmaster Flex did just that.  I can't even pull out all the samples that're thrown into this pot (though I do recognize a little Trouble Man).  King Sun adds some new adlibs ("yo Flex, we're livin' extra large"), but the story's all the same.  However, this is a much higher energy and denser track, and of course Flex is cutting up on the hook; it feels like an entirely different story.  If you want the best telling of these lyrics, the original version does still suit it better.  But this mix is hot enough that you'll need it in your crates, too.

And other than that, the albums and the two isolated 12"s ("Sippin' Brandy" and "New York Love") are all you need.  There is some later-era 12" with exclusive remixes of his "Pimp" song with Ice-T, but I definitely wouldn't file that under "essential."  Of course, you still might want his other 12"s for their instrumentals or just as collector's items for hot songs.  But these are the two, and surprisingly, they don't seem to get much shine.


  1. Hey Werner! Great stuff. Loved King Sun's "XL" & "Righteous But Ruthless" LP's - still do as they both still hit hard and are still as dope for me as when I first heard them back in the day. But re "XL" - that LP in '89 made a big impression for sure (one of many LP's like The 7A3's "Coolin' In Cali" anyone?) - so many hot tracks on that one - Lethal Weapon, Fat Tape, All In, Heat Up, Hey Love, but I recall "Snakes" being my tune! All the way dope. KIng Sun drops superb lyrics - he's a master story teller, one of the best MC's - agreed - DJ King Shameek is real good on King Sun's albums too. That tune! Man! It just sounded so damn fresh. Hollywood Impact were doing good things at that point - Twin Hype, LA Star, Seville, anyone remember Style's LP "In Tone We Trust"? (Style was T La Rock's brother, right?) that was sound. "The Assassinator" is still a massive jam to this very day. Always will be. Yep, "XL" was literally a Big album at that time. If you can find the CD reissue from 2011 I think, on Traffic (it comes in an oversize (Xtra Large) cardboard box btw) it features "Mythological Rapper" as a bonus track - so it eventually, kinda, made it on to the album in the end! Plus another bonus track called "Christmas In The City" so it is well hunting for and is worth every penny (or cent) - a great buy and a great package too for a classic golden age hip-hop album. Keep up the excellent work, Werner! Peace out.

  2. ...typo alert! I picked up "Coolin In Cali" in '89, so I associate it with that year and think it's an '89 album every single time. But lo and behold I find it's one of the many legendary hip-hop LP's of '88! A well deserved -under acknowledged- '88 classic at that. What a phenomenal couple of years that was.