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The concept is pretty simple... it changes James Brown's epic tune "I'm Black and I'm Proud" to "I'm American and Proud!" The hook is basically the same, with a chorus of children shouting it out, and the instrumental liberally takes from all its elements - the funky horns, etc - from the original. This is hardly the first time that song has been used in this way - think Tragedy or Kool Moe Dee - but since when has cribbing from James ever been a bad look? It's not breaking any new ground (even slightly) but like the "Impeach the President" breakbeat; it still works perfectly every time.
And this is well after the period, thankfully, where he was doing that high-pitched B-Real knock-of voice... here he's back to his natural, engaging voice and flow. His rhymes are witty without being punchliney, clear, and they move at a consistent pace but without ever spilling into "fast rap" (not that I mind fast rap at all; but it ain't mainstream if soccer moms can't rap along) Honestly, I think Big Scoob is like the second Jay-Z who just never got that big break. You see it somewhat here, but not quite as strongly as on some of his other records, since he's a kinda tied down to the stars and stripes talk here.
There's nothing else here besides the song and the instrumental on the flip, but it's a good song. If Fully Blown was larger and had wider distribution, I could easily see this being one of those records DJs break out at the same time every year; and when they did, it would get the crowd open.
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